Yevgeni Shneider

Two country boys move to Moscow. One becomes a construction worker who dreams of being an inventor, the other becomes a decadent poet.

The story takes place in Summer 1942, when a small force of Black Sea Fleet sailors was surrounded by German troops but broke out the encirclement.

Docu-drama about political and military conflict during the Russian Civil War in 1918, from an orthodox pro-Communist viewpoint.

Since director Sergei Yutkevich was a longtime lover of American slapstick, his first films were imbued with a playfulness and cheeriness not typical of Russian cinema. And Kruzheva is a good example of that as he illustrates the friendly rivalries between the youths on village in both a very rough and clowning way.

Director Frederick Ermler’s last silent feature and the last of four collaborations with actor Fiodor Nikitin. Nikitin plays an officer who spends a decade after the Great War as a shell-shocked amnesiac, until a glimpse of a woman through a train window sparks the return of his memory. He makes his way back to St. Petersburg, now Leningrad, a man out of time who struggles to make sense of the new society brought about by the revolution.

Igor Savchenko's Accordion (Garmon', 1934) was adapted from a poem by A. Zharov. This film sheds light on the reasons why the mass song came into being. In it, the country boy Timosha stops playing the accordion after being chosen leader of the local Komsomol. When he understands that he must compete with the sad kulak songs played by Tlskliby ("Mournful"), he recognizes his mistake in abandoning his accordion, and in the end he gathers the other youths around him with his lively and merry songs.

A Soviet agent tries to win over a band of gypsies to a happy life on a farm co-op.