Christopher Murray

In 2019, a nationwide movement forms in Chile to create a new constitution. For three years, the film accompanies indigenous, feminist, militant, legalistic, anarchist and conservative activists. A timely large-scale canvas of democratic protest.

In 2010, 81 inmates died in a huge fire at San Miguel prison in Chile’s capital city Santiago. Inside, they were trapped behind bars like rats; outside, dozens of family members waiting for visiting hours to begin looked on helplessly as their loved ones shouted for help. The doors remained locked. This reconstruction sheds light on the utter failure of the prison’s administration, which was housing twice as many prisoners as permitted.

In a country at the world's end, the highest authority of the Catholic Church lands. The Pope comes to bring the word of God, but Chile awaits him with the most important religious crisis in its history.

When their parents die, Bianca starts to smoke and Tomas is still a virgin. The orphans explore the dangerous streets of adulthood until Bianca finds Maciste, a retired Mr. Universe, and enters his dark mansion in search of a future.

Follows the trail of taxidermic pieces collected by The Manchester Museum during the nineteenth and twentieth centuries.

Chiloé Island, 1880. Rosa Raín is a Huilliche girl who, after the murder of her father at the hands of German settlers, seeks justice with Mateo, leader of an organization of sorcerers called “La Recta Provincia”.

Michael believes he experienced a divine revelation in the desert when he was a child. His neighbors are incredulous and take him for the town fool ever since. One evening, he gets news that a childhood friend was badly hurt in an accident in a remote village. Michael decides to drop everything to go on a barefoot pilgrimage through the Chilean desert in order to cure his friend with a miracle, a voyage that will traverse the blind desperation of a society in need of faith.

In front of a lost fishing cove in the south of Chile, there is an uninhabited island. One afternoon, a precarious boat approaches its shores with a man: it is Manuel Ribera, who comes to occupy the land he has just inherited. With no job, no family and no money, he has come with the conviction that he will finally be able to build something for which he will finally feel like an owner.