Annemarie Steinsieck

A German mechanic considers emigrating to the United States, but changes his mind when he falls in love with a local woman.

A wholesome youth returns from Canada to the Fatherland, to rescue his father's business from a crooked accountant and a scheming lawyer.

Tenor Mario Monti is searching for his wife Bianca's daughter, who is believed to be dead. Before Mario, Bianca was married to Carlo Scarpia, Mario's patron. When Carlo discovered that his wife and Mario were having an affair, he left them both and, as he was leaving, told Bianca that their daughter Mary had died. In reality, she grew up without knowing her real parents. Mario tracks Mary down in Munich, where she works as a ballerina at the State Opera.

When Bartos, the director of the Odeon variety theater, cancels an artist at short notice, he hires the Terrys out of necessity, whose parents were successful variety artists, but who had not yet received an engagement themselves. Both are supported by Tobs, a friend of their parents. While blonde Mara Terry arrives punctually for the first rehearsal, her dark-haired sister Kora is late like a diva and acts aloof and snippy. At their first performance together the next day, Kora is overtired from partying the night before. During a dangerous act in which she has to balance her upside-down sister on her head, she becomes careless...

Ariane was Hungarian director Paul Czinner's first talking picture. Starring in the title role is Czinner's charming wife, Elizabeth Bergner, likewise making her talkie debut. Young, naive Ariane sets herself for an emotional fall when she falls in love with Konstantin (Rudolf Forster), a much older and very married businessman. For his part, Konstantin regards the girl as just another harmless fling -- until he realizes a shade too late that he's really in love with her after all. Filmed in German, Ariane was simultaneously lensed in an English-language version, The Loves of Ariane.

Escaping her school teacher life, a lady marries a British military doctor who takes her to Malaysia. But realizing there that the marriage isn't working, she turns to an Oriental prince instead.

Cheeky Jette is a typical Berlin girl. Together with her mother, she performs couplets in a Berlin suburb theatre every night. Then, a young Austrian baron, who is worshipping Jette, enables her to audition for Königstädtisches Theater. Although she at first fails with an aria from an opera, Jette wins over the hearts of the board members with her fresh style when she performs a cheeky couplet that was written by Barsch, the stage manager of the suburb theater.

Äls, a young woman from Sweden living in Hamburg in the summer months, attracts a newly married explorer, Albrecht Froben, who has just returned to his native city. But although Äls seems to be 'life itself', she suffers from a tropical disease which is slowly killing her. Froben is torn between Äls and his wife Octavia, who he seen as a kind of 'heavenly' counterpart to the earthy and beguiling Äls.

The political advisor to the French emperor Napoleon, and the Austrian emperor Franz I, arrange a marriage between Napoleon and the Austrian archduchess Marie-Luise in order to prevent another war.

During a journey of the "Ceder", the Captain, von Moltmann, disappears. It looks like an accident, but it could also have been murder. Attorney Dr. Burger and superintendent Störensen discover quickly that two of the crewmen hated the Captain: Chief officer Rohlfs suspects an affair between his fianceé Gerda and von Moltmann. Chief engineer Sparkuhl thinks the Captain has seduced his niece, who later committed suicide. The court decides that the Captain has gone overboard without anyone else's "help", but the rumors don't come to an end.

Sylvia, the daughter of the pastor Kelvil, is lectrice to Lady Patricia and gets to know the young Lord Harford. They love one another, but their class differences forbid marriage. There's a sharp argument with the father, who afterwards wants to send the young lord abroad. Then Sylvia is offered money to disappear, unaware that she's already pregnant. 18 years later: Sylvia raised her son on her own as best she could. He is now known as Lord Harford, who, besides having the title Lord Illingworth, also has inherited his father's total estate and has now returned from India. Unaware of their identities, the father and son get to know one another; get into a fight; and the young man challenges the father to a duel. In order to prevent that from happening, the mother must now tell each of them the truth about their identities. The film is based on the theatre piece of the same name by Oscar Wilde.