María Alché

Students of different careers prepare to take final exams. Botany, anatomy, sociology, medieval philosophy, criminal law, morphology, theoretical physics and piano. Each one uses their own abilities to cope with the situation of oral exposure, the most common evaluative practice in the National Universities of Argentina. Throughout the waiting moments in the halls, between the drama and the absurdity of each exam, the subjects begin to find unexpected relationships.

Buenos Aires, Argentina. Pablo, a screenwriter, is hired to write a new romantic comedy.

In 2009, a man and two accomplices try to evict members of the Indigenous community of Chuschagasta in northern Argentina. Claiming ownership of the land and armed with guns, they kill the community’s leader, Javier Chocobar. The murder is caught on video. It takes nine years of protests before court proceedings are finally opened in 2018. During all this time, the killers remain free. The film combines the voices and photographs of the community with courtroom footage to explore the long history of colonialism and land dispossession that led to this crime.

When Marcelo Pena finally is about to be appointed Head of the Philosophy Department, the famous and seductive Professor Sujarchuk returns from Europe to claim the kingdom for himself.

Amalia is an adolescent girl who is caught in the throes of her emerging sexuality and her deeply held passion for her Catholic faith. These two drives mingle when the visiting Dr. Jano takes advantage of a crowd to get inappropriately close to the girl. Repulsed by him but inspired by an inner burning, Amalia decides it is her God-given mission to save the doctor from his behavior, and she begins to stalk Dr. Jano, becoming a most unusual voyeur.

Agustín escaped to the moor to finish his thesis, he spends his days writing, feeding himself and giving small walks through a place covered by scrubland, steep cliffs and abyss that remain hidden behind an almost permanent fog. Everything changes when Lucía and her boyfriend Santiago arrive and set up their tent next to Augustín’s. What began as a few quiet days in the countryside gradually become a silent nightmare.

The ghosts of a 19th-century slaughterhouse haunt the Cinemateca Brasileira: where cows once died, films now end up. Montevideo's former Central Market houses the Cinemateca Uruguaya. A power plant now houses the Museo de Cine de Buenos Aires. This triptych portrays and connects three film archives through architecture and the buildings' interaction with urban life.

Mars is invaded by humans.

In a world controlled and timed by the light, a common man has a plan that could change the destiny.

Paco is a Spanish boy who lives in Buenos Aires. After many efforts have achieved that always wanted: a stable and profitable work. Suddenly his life is complicated the day his cousin comes to visit and Guille installed for a season ...

Continuing the series started with Intervened Events (2014), the Buenos Aires Film Museum presents the second feature film made entirely with material from its archives and by fourteen outstanding Argentine filmmakers. These are nine issues of Cine Escuela Argentino, a project created in 1948 by the Argentine Ministry of Education during the first government of Juan Domingo Perón. The latter promoted “the use of the cinematographer as a didactic assistant destined to complete the educational and cultural work, mainly in what concerns exalting the feelings of the nationality, with the heroic example of the heroes, Christian morality and the multiple civil duties, great and small”. Hence, most of the films produced by Cine Escuela Argentino were aimed at scientific dissemination and tourism promotion of the various regions of the country. (Museum of Cinema)

Maria travels to Puerto Williams to star in a movie. But the film crew won't be able to arrive due to a strong storm. Alone, she'll seek help for severe back pain, which will lead her to discover life in the southernmost city in the world and a pending story in her life.

Florencia, a rising actress, ends up falling in love with her co-star, a famous film star. When they decide to marry, Florencia becomes aware that in reality she fell in love with the character and that her husband is indeed a real idiot.

Two emotionally charged love triangles collide as Elena accompanies her photographer husband on a work trip, falling for the sublime beauty of Patagonia and the man who guides them through it. Meanwhile, Albert, a director returning home to Los Angeles, adjusts to being a single father in the wake of his failing marriage.

After many years away, Ariel is summoned by his distant father to his childhood home in the bustling Jewish quarter of Buenos Aires, known as El Once. Over the course of seven days, during the vibrant holiday of Purim, Ariel seeks to reconnect with his father, who runs a Jewish charity and is regarded as a big macher in the close-knit community, but was frequently absent due to his obligation to fulfill the Jewish quorum of having 10 men present at all funerals.

Marcela’s world becomes strange and unfamiliar after her sister Rina dies. She feels lost in her own house, and her relationship with her husband and children seems to suffer. But when Nacho, a young friend of her daughter’s, unexpectedly drops by, she starts to talk and walk with him. Gradually Marcela begins to have conversations with relatives from another dimension.

Seemingly abandoned, a young woman walks through the porous city of Buenos Aires with her camera, finding potential mothers at every turn.

Michelsen, an older trucker who is lonely and sick, while traveling through Patagonia meets someone on the highway who reminds him of his daughter, whom he has not seen in years.

On her wedding day, Adrian, nervous, make a small mistake that aims to hide Leonora, his girlfriend, to avoid problems. But far from avoiding them, complicates the matter and the party runs the risk of end badly, like the future marriage of the couple.

Directed by Argentinean Lucrecia Martel, MUTA, meaning both “mute” and “transformation”, is a beautiful and cryptic portrayal of an all female world of symbolism, hidden meaning and intrigue.

A hungover day and the twists and turns of a relationship are condensed in a conversation between two lovers, in the mythical Bauhaus building in Monte Veritá. In the background, the Swiss Alps.

Set in Mexico, Left For Dead is a bloody and sick dream ... A spaghetti western in terror. A desperate criminal will be caught in the ghost town of Amnesty alongside a vengeful demon ...

"Three minutes" is a film in the fantasy genre. It is the love story between Alex, a journalist who, forced to speak very quickly in his newscast, must take this substance that accelerates his nervous system and Ana, a young piano student who in order to become a concert pianist, needs to gain speed in her piano playing. They both end up over accelerating and finding each other in a parallel world where everything around them seems to have stopped moving. In this motionless world, they will live their great romance.

Itatí lives with his family in a town surrounded by the river. The domestic and daily order of their lives changes when she begins to feel a wild impulse that leads her to go on nocturnal escapades. Itatí experiences an animal transformation that no one in the town understands. She will have to decide whether to continue accepting social mandates or transform definitively.

Tratame bien is an Argentine TV series made by Pol-Ka. It was awarded with seven Martín Fierro Awards in May 2010, including the Golden one.