Pablo Parra

A journey through the metropolis from production to the final disposal of waste. In between: people, pollutants, margins and beyond. We become aware of garbage when we smell it. That is why we try to put it further and further from our homes

In 1982 the Malvinas war affected combatants from Argentina and the United Kingdom. The shock wave of the crisis shook thousands of souls in many countries. This documentary tells five stories of civilians whose lives changed forever by the conflict. An inquiry about being in the right place, at the right time, or the opposite

It is Christmas weekend, the middle of summer, and the electricity service is interrupted in some neighborhoods of the city. Celina is an older woman. Isolated on the 12th floor, without electricity, without elevator, without water, she must manage to survive.

Tonelec, a young descendant of Tobas, is knowledgeable about his traditions, his history, his legacy and his language, but acts as a member of a Ranquel community, in a film set in 1810 that celebrates the Bicentennial. He, the other actors and the technicians working on the set try to overcome so much confusion.

In the last decade, Argentina has become a country of origin, transit and destination for human trafficking. There are the pimps and corrupt state officials who make human trafficking a great business. On the other side, there are the victims. But going through all this framework are the clients, always safe from any condemnation. The gaze of Whole Woman rests on them, the men.

A documentary about the fans of "Waiting for the Carriage", the Argentine film classic directed by Alejandro Doria, and which investigates the obvious and hidden reasons for this phenomenon.

An essay on prostitution constructed in two layers: four interviews and the interventions of four contemporary dance choreographers, who explore its formal dimension through movement.

In the north of the pampas, the remains of a population lie hidden under the soil; they’ve been this way for more than a century. Their casual discovery is the starting point with which the film tries to puzzle out that mystery. There where soy reigns, one more battle is fought in the constant struggle of film against oblivion.

Sosa is a lawyer who haunts hospital waiting rooms hoping to represent the victims of traffic accidents in insurance claims. When he falls in love with ambulance medic Luján, he tries to leave this dark business but the shady law firm that he works for won’t let him off that easily.

An experienced fisherman is hired to try to find something that, apparently, is simply a fantasy installed in society.

Convicts, scammed people, addicts, musicians in trouble—all of them look for Joe Stefanolo, the criminal lawyer who’s been fighting for more than four decades to bring the spirit and ideals of rock to justice.

One stormy night, a large house near a little-traveled road. Mrs. Haidi lives there with her dogs. An accident on the road, a couple: Pablo and Mara, looking for help. Between mistrust and courtesy, Mrs. Haidi assists the injured couple. Far from any possible help, with no cell phone signal and the phone lines interrupted, Pablo and Mara have no choice but to spend the night in the guest room. Everything seems to fit into normality and they only have to wait for the light of dawn to arrive, but in the solitude of the room Pablo and Mara reveal their secret.

A man arrives to a remote hotel to find a girl, but he will soon find out that he is surrounded by creepy old men.

In a remote corner the day comes when López must settle debts with a relentless debt collector. After several failed attempts to comply and when all hope seems lost, an unexpected and tempting proposal arises...

Don Videla is a cinema operator, 80 years old and 65 years old, he crosses the streets of San Juan on his bicycle to get to the Municipal Cinema and show films. A film crew accompanies him to trace the traces of the cinemas he passed through.

Lola tries not to drop her talent, threatened by the passage of time and the irreversible events that devastated her happiness. Ana, will try to survive a violent relationship with Victor that will bring her closer to the world of prostitution. Lucio hand in hand with cocaine addiction, will destroy its precarious humanity.

Filmed during a school year at the experimental school “Los Biguá” on the Banks of the Carapachay River, in the Argentine Delta. A school for parents. Another way of viewing education in a permanent state of caution: does the State allow this school to exist? How do we keep it running? The southeastern wind blows and the tide rises. A self-sustaining educational project based on developing children’s autonomy from an early age, run by teachers and parents.

The stories of Zara, Verónica and Mora intersect and intertwine through memories, places, and people in common. Love is not always the livelihood of a couple, even when all are built in their name.

Roque starts University in Buenos Aires but he is not particularly interested in attending classes or working towards a degree. Instead, he dedicates his time to one of the many groups vying for control of the university, motivated less by grand political ideals than by a wish to get close to Paula, an attractive young teacher heavily involved in internal university politics.

After the accidental death of his mother, Andres has to move in with his grandmother, Olga, and his estranged father Raul. Andres, who doesn't like to take a nap, wanders curiously through the neighborhood, where an illegal detention center is hidden, something everyone knows, but no one dare mention. Courage and fears will be tested with lasting consequences for all.

Chronicle of the historic trial held between April and December 1985 against the leaders of the last Argentine dictatorship (1976-83), responsible for the disappearance of thousands of people and other State crimes.