Ante Babaja

A beautiful but ailing girl is married to a harsh man who doesn't care for her. Only after she dies does he realize that he actually loves her.

In an island town, a professor pensioned before his time, together with his wife, takes care of the hundred year old Maddona Makantuna, a dispossessed land owner.

A tale of two brothers from babies to adulthood told without words. One brother is upstaged by the other from the crib onward. Eventually the tables are turned.

With the film Good Morning Ante Babaja took one last look in the bloodthirsty jaws also known as Time – with eyes wide open. Until then he did not spare his characters death and transience, and when the time came he directed a childishly inquisitive view on his own inevitable ending. He did it with a small miniDV camera and in a matter of seconds turned from a professional filmmaker to an amateur who films not only when he can and when the conditions are favorable, but always and everywhere because he feels a need to express himself through film and think in terms of film. At the end of his five decades long career, Babaja had the modesty and the inspiration to start again. As an 80-year-old he made his first feature-length documentary film, using digital technology for the first time. Good Morning impressively and consistently rounds up the artistic and life trajectory of a great modernist and paints a unique authorial trace he left in the history of our cinema.

The local postal service makes a mistake delivering a small figurative sculpture to a miller and a miller stone to a museum. The museum curator, not aware of the mistake, starts celebrating this abstract shape, influencing even the local artists to imitate that kind of shapes when portraying people.

Not everyone sleeps at night in Zagreb. An exploration of various night-time jobs.

The adaptation of Hans Cristian Andersen's tale filmed on a white background. It is also the first Croatian movie in color.

A study of activity surrounding a changing room by a place of swimming.