Robert Cahen

Directing

Robert Cahen

Born January 1, 1945 · Valence, Drome, France (age 81)

"Since the 1970s, Robert Cahen's research is haunted by the notion of passing: passing from fix imaged to moving image, passing from a place – and a time-to another, transformation of filmed reality and eye, exploration of sound related to the image. His approach is part of an always renewed dialogue between visible and invisible, narration and poetry, confronting another world, a world made diffe…

Known For

KosmosKosmos · 2017
Kosmos
2017
Movie
Twins still in their amniotic fluid announce our human condition, our compulsion to walk, move forward, run. When everything moves, we go through the forest of emotions in a dreamlike way. But it is thanks to water and its light reflections, to its transforming power that the infinite “Kosmos” plays with our uncertainty.
EmbracesEmbraces · 2003
Embraces
2003
Movie
The light creates the motion. The film uses black and white as a way to to reveal things. Something is happening here linking death, love and pleasure. Appearance, disappearance, the rhythm of breathing revealing the passing of time both binds and releases our feelings.
ArtmaticArtmatic · 1981
Artmatic
1981
Movie
Boulez-RéponsBoulez-Répons · 1985
Boulez-Répons
1985
MovieMusic
In this vivid transposition of contemporary music for television, Cahen "responds" to the complex musical transitions of Répons, a work by French composer Pierre Boulez. Performed by the Ensemble InterContemporain and conducted by Boulez, the intricate Répons was designed for an ensemble of twenty-four musicians, six soloists and a "real-time" digital processor. In Cahen's re-composed interpretation, he responds with visual and temporal transformations, "opening" the images in space and time and applying electronic techniques to engulf the instrumentalists in ocean, sky, and trees. Mirage-like superimpositions, temporal shifts, mirroring effects and de-synchronization result in a rhythmic confluence of the illusory and the real. Immersing the viewer in image and sound, Cahen mirrors the transformative process of Boulez's music.
CinématonCinématon · 1978
Cinématon
4.91978
MovieDocumentary
Cinématon is a 156-hour long experimental film by French director Gérard Courant. It was the longest film ever released until 2011. Composed over 36 years from 1978 until 2006, it consists of a series of over 2,821 silent vignettes (cinématons), each 3 minutes and 25 seconds long, of various celebrities, artists, journalists and friends of the director, each doing whatever they want for the allotted time. Subjects of the film include directors Barbet Schroeder, Nagisa Oshima, Volker Schlöndorff, Ken Loach, Benjamin Cuq, Youssef Chahine, Wim Wenders, Joseph Losey, Jean-Luc Godard, Samuel Fuller and Terry Gilliam, chess grandmaster Joël Lautier, and actors Roberto Benigni, Stéphane Audran, Julie Delpy and Lesley Chatterley. Gilliam is featured eating a 100-franc note, while Fuller smokes a cigar. Courant's favourite subject was a 7-month-old baby. The film was screened in its then-entirety in Avignon in November 2009 and was screened in Redondo Beach, CA on April 9, 2010.
signsign · 2021
sign
2021
Movie
About “Four Doors” André Bon writes : these doors open onto four soundscapes which express in the order : tension, relaxation, expectation, ecstasy. We say : Sign. Symphonic breathing in four movements where music and sensuality of the images are offered in counterpoint, by subtle shifts. Small story of an encounter to decipher.
Red MemoryRed Memory · 2010
Red Memory
5.02010
Movie
A film by Robert Cahen and John Borst. A woman passes through Hong Kong after dark.
In ReposeIn Repose · 1977
In Repose
1977
Movie
Short film.

Filmography

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Boulez-RéponsBoulez-Répons · 1985
Boulez-Répons
1985
MovieMusic
In this vivid transposition of contemporary music for television, Cahen "responds" to the complex musical transitions of Répons, a work by French composer Pierre Boulez. Performed by the Ensemble InterContemporain and conducted by Boulez, the intricate Répons was designed for an ensemble of twenty-four musicians, six soloists and a "real-time" digital processor. In Cahen's re-composed interpretation, he responds with visual and temporal transformations, "opening" the images in space and time and applying electronic techniques to engulf the instrumentalists in ocean, sky, and trees. Mirage-like superimpositions, temporal shifts, mirroring effects and de-synchronization result in a rhythmic confluence of the illusory and the real. Immersing the viewer in image and sound, Cahen mirrors the transformative process of Boulez's music.

Director

CinématonCinématon · 1978
Cinématon
4.91978
MovieDocumentary
Cinématon is a 156-hour long experimental film by French director Gérard Courant. It was the longest film ever released until 2011. Composed over 36 years from 1978 until 2006, it consists of a series of over 2,821 silent vignettes (cinématons), each 3 minutes and 25 seconds long, of various celebrities, artists, journalists and friends of the director, each doing whatever they want for the allotted time. Subjects of the film include directors Barbet Schroeder, Nagisa Oshima, Volker Schlöndorff, Ken Loach, Benjamin Cuq, Youssef Chahine, Wim Wenders, Joseph Losey, Jean-Luc Godard, Samuel Fuller and Terry Gilliam, chess grandmaster Joël Lautier, and actors Roberto Benigni, Stéphane Audran, Julie Delpy and Lesley Chatterley. Gilliam is featured eating a 100-franc note, while Fuller smokes a cigar. Courant's favourite subject was a 7-month-old baby. The film was screened in its then-entirety in Avignon in November 2009 and was screened in Redondo Beach, CA on April 9, 2010.

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