Wahid Chan

Arman suffers a severe wound from the second military clash in December 1948 and is nursed by the village head and his daughter, Srihati. When Indonesia gains full sovereignty in 1950, he returns to Jakarta. Then Arman is carried away by the big city life. He meets Martini and later on marries the modern girl. When Srihati goes to the city to find him, she is disappointed. But later she meets Kasim. At that time, Arman is having gambling problems and he is sent to prison due to embezzlement. After he finishes his prison sentence, he tries to find Srihati at the village but she is already married to Kasim. So Arman becomes the dust of revolution, blown by the wind to nothingness.

Suparto is a middle-ranked officer who is moved to Jakarta. In the city, he meets Harjiman, the licensing importer. Then Harjiman introduces him to Roostinah whose task is to seduce Suparto for help in securing the import licenses. Suparto's wife, Sulastri, comes to Jakarta when she hears about her husband's unfaithfulness. Then Suparto realizes that Roostinah is sent to seduce him, but when he returns to Sulastri, she rejects him. His crime is discovered and Suparto is sent to prison. When he completes his sentence, Suparto joins the migration to Sumatra. Then Sulastri accepts him again.

Set in the 1930s, and narrated like a ballad from the past, "The Tiger from Tjampa" tells of how a young man, Lukman, seeks to avenge his father’s murder by learning pencak silat, a traditional form of self defence, based on the movements of animals.

Barda the Blind (Ratno Timoer) while at Borobudur, is accused of being the murderer of Bimo Adirekso (Wahid Chan). The children who were killed, Subala (Adang Mansyur) and Subali (Adji Agus), did not care about people's accusations. They fight over their parents' inheritance until a big fight breaks out, which is useless, because the will and the treasure map are in the hands of Sekarningsih (Nuke Maya Saphira), also Ben's daughter, and her boyfriend, Bambang Permadi (Rachmat Kartolo). Selendang Mayang (Rita Zahara) stole the treasure, then it was stolen by another person, all the way to Dieng. Here the battle takes place. This film is presented in a mystery style.

Drawing from the novel, lenong (play) and the previous film (Njai Dasima I), this new film version has heightened erotic scenes considered the boldest for its time. But as mentioned by the director, the eroticism is meant to reveal the psychological aspects of the characters. Unlike the previous version, that mainly highlights conflict between love and witchcraft, this one features social and psychological conflicts. For example, how Dasima feels like an outsider with Edward Williams’s friends, or how she prefers leaving their house to live with her maid in the village. It also shows more background of the Samiun and Hayati characters - Samiun is a black market trader with a lot of debts and Hayati is a woman obsessed with gambling to get rich. When his debts are due and he is unable to pay, Samiun asks his friend, Puasa, to “rob” him while he is returning to their village with Dasima.