Robert Edeson

Cleo lives in Marseilles and works as a waitress in a waterfront dive. A stranger entices her into coming to Paris to take dancing lessons, but instead she is taken to a baron, who betrays her. In spite of this inauspicious start, Cleo becomes a successful and renowned actress, but her feelings about men have never recovered. She loathes them and uses them only for the money they offer her, which she then hands over to a penniless girl.

At the conclusion of World War I, a French girl is romanced by an American doughboy even though she is promised to a French soldier who was sent to the front.

Head railroad man Dan is as ugly as he is honorable. When he spots a drifter who'd hopped a freight held up by a landslide, Dan offers the man a job; then he finds the man was a railroader, too, and takes him under his wing. Engaged to Mary, Dan doesn't notice the growing attraction between his protégé and his intended but focuses instead on running the railroad.

The first part tells the story of Moses leading the Jews from Egypt to the Promised Land, his receipt of the tablets and the worship of the golden calf. The second part shows the efficacy of the commandments in modern life through a story set in San Francisco. Two brothers, rivals for the love of Mary, also come into conflict when John discovers Dan used shoddy materials to construct a cathedral.

Gilda is a crook who wants to go straight, but her pals keep holding her back. She moves to Hollywood to begin anew but the old gang follows behind. Can she stop them from ruining her new life?

The King of Kings is the Greatest Story Ever Told as only Cecil B. DeMille could tell it. In 1927, working with one of the biggest budgets in Hollywood history, DeMille spun the life and Passion of Christ into a silent-era blockbuster. Featuring text drawn directly from the Bible, a cast of thousands, and the great showman’s singular cinematic bag of tricks, The King of Kings is at once spectacular and deeply reverent—part Gospel, part Technicolor epic.

Surgeon Crisp announces to his student doctors and friends that he has solved the problem of limb-grafting, and shows proofs. Among those deeply interested is Mortmain, a musician and a friend of the surgeon.

Chief Standing Rock's tribe has a treaty protecting their fishing grounds, but a canning corporation is violating the treaty through intimidation and force. The tribe is divided as to how to handle the threat. Standing Rock's son, Braveheart, is sent to college to study law so that he can protect their rights, but others in the tribe, led by the hot-tempered Ki-Yote, want to provoke a more violent confrontation.

The marriage of Jim and Esther spirals downhill rapidly when Esther purchases a sable coat for herself. Hoping to live up to her expensive accessory, Esther soon is keeping company with caddish Morrell. Jim brings his wife's galavanting to an abrupt end by committing suicide. Esther as an object lesson for young Alice Kendall, returns the fur coat that she's bought on impulse.

A con artist masquerades as Russian nobility and attempts to seduce the wife of an American diplomat.

Peter Olsen, a young social outcast who lives alone on a rundown farm and raises vegetables for a living, finds his only consolation in liquor, though Dorcas Chatham, daughter of the general store owner, begs him to forego this indulgence. Returning from town, he finds a dog by the roadside, apparently injured by a car, and takes it home. Later, on a drunken spree, Peter is attacked by robbers, but the dog comes to his rescue and frightens the assailants away. Stirred by the unselfish devotion of his dog, Peter gradually regains his self-respect, and Dorcas falls in love with him and accepts his proposal, though she fears the dog. When Peter enters the dog in a show, another exhibitor proves to be its owner, and Peter is first parted from, then reunited with, "his" dog. Dorcas overcomes her fear and is united with Peter.

Stereotypical Jewish man Isadore Solomon (Dore Davidson) arrives with his daughter Essie (Virginia Brown Faire) in a small, predominantly-Christian New England town. The discriminating viewpoints of the populace, including the Mayor, drive them to try to get rid of the newcomers. Solomon is persuaded by Clem (William V. Mong) to invest in an electric-light plant. The town is brought prosperity and the Solomons' former adversaries honor him.

A go-getting bank messenger falls in with unsuccessful gambler.

Jeffrey (Matt More), a jewelry store clerk prevents a robbery and, as a reward, given a vacation in Honolulu, provided that he transports a valuable emerald to the Hawaiian Islands. On the boat he meets a blonde named Mary (Dorothy Revier) whom he mistakes for a jewel thief called Blonde Mary (Hazel Howell).

The naive newspaper cub Clem lands a scoop when he's sent out to cover a murder. In his enthusiasm he writes that the main suspect is Jane. When she confronts Clem, she convinces him to help her prove her innocence.

Femme fatale Flora marries a titled European to save the family planation. Her husband and a rival fall to their deaths in a glacier. Next Flora weds her sister Margaret's love Admah. She bleeds him dry, until he goes to prison.

Soldier of fortune Maxton is stranded in a Central American country. He and Tom, the nephew of the country's richest man, try to end Morloff's banditry but just barely escape a firing squad. They become rivals for Rosita.

William C. DeMille, Cecil B. DeMille's talented director brother, teamed with his favorite collaborator, scenarist Clara Beranger, for the 7-reel silent The Bedroom Window. Essentially a by-the-book mystery tale, the film is lifted from the ordinary by the expertise of DeMille and the charm of leading lady May McAvoy. She plays the daughter of a murder victim, while Ricardo Cortez co-stars as the Accused. Cortez is saved from the chair by his aunt Ethel Wales, a mystery writer. The real culprit is...well, keep your eye on the least likely, most cooperative member of the cast.

When a hardened businesswoman who goes by the initials A.B. overhears someone calling her an “Amazon” because of her butch ways, she agrees to a more “feminine” makeover. In the end she learns that no matter how she looks she’s still the smartest person in any room. 

Wealthy Cynthia is in love with not-so-wealthy Roger, who is married to Marcia. The threesome is terribly modern about the situation, and Marcia will gladly divorce Roger if Cynthia agrees to a financial settlement. But Cynthia's wealth is in jeopardy because her trust fund will expire if she is not married by a certain date. To satisfy that condition, Cynthia arranges to marry Hagon Derk, who is condemned to die for a crime he didn't commit. She pays him so he can provide for his little sister. But at the last minute, Derk is freed when the true criminal is discovered. Expecting to be a rich widow, Cynthia finds herself married to a man she doesn't know and doesn't want to.

Cardelanche, the son of an Indian chief, returns from the East to find himself rejected by his own people. He is made captain of the U.S. army when he saves a detachment of cavalry from a group of renegade Indians, and further removes himself from his race when he develops a relationship with Miriam, the daughter of the Fort Remmington commandant. Lieutenant Parkman (Walker) gets into a fight with Cardelanche when Parkman is demoted, while General Custer's troops are slaughtered by Cardelanche's people. Cardelanche decides that his true allegiance is to his own race, and gives up Miriam to return to them.

Fox's immediate follow-up to its successful early-talkie western In Old Arizona was 1929's Romance of the Rio Grande. The story focuses on the Alvarez family of Mexico, specifically fabulously wealthy Don Fernando. Intending to bequeath his vast fortune and estate to his long-estranged grandson Pancho, Don Fernando must contend with his ne'er-do-well nephew Juan.

Tim Kelly is an orphan who runs away after his orphanage burns down. Presumed to be killed in the fire, he is able to roam the streets of New York City freely. He meets Max Ginsberg, an old Jewish junk dealer with rheumatism, and the two strike a partnership and a close friendship.

Little Johnny Jones is a jockey who is in love with his all-American sweetheart, Mary Baker, and also his career as the rider of thoroughbred horses. But he almost loses both when he is tricked by a showgirl, Vivian Dale. His story of vindication swings from the racetracks of America to England and the historical National Derby, with plenty of red-white-and-blue bunting waving behind the little patriot.