Nora Fingscheidt

Directing

Nora Fingscheidt

Born February 17, 1983 · Braunschweig, Germany (age 43)

Nora Fingscheidt (/ˈfɪŋʃaɪt/ FING-shyte born 17 February 1983) is a German director and screenwriter. She has been a participant of the Max Ophüls Preis film festival since 2011 for her short films, winning the prize in 2017 for Without This World (Ohne diese Welt). She became widely known for her critically acclaimed film System Crasher, which premiered at the 69th Berlin International Film Fest…

Known For

The UnforgivableThe Unforgivable · 2021
The Unforgivable
7.42021
MovieDramaCrime
A woman is released from prison after serving a sentence for a violent crime and re-enters a society that refuses to forgive her past.
The OutrunThe Outrun · 2024
The Outrun
6.82024
MovieDrama
Fresh out of rehab, Rona returns to the Orkney Islands—a place both wild and beautiful, right off the Scottish coast. Now 29 and after more than a decade of living life on the edge in London, where she both found and lost love, Rona attempts to come to terms with her troubled past. As she reconnects with the dramatic landscape where she grew up, memories of her traumatic childhood merge with more recent challenging events that have set her on the path to recovery.
System CrasherSystem Crasher · 2019
System Crasher
7.62019
MovieDrama
Wherever 9-year-old Benni ends up, she is expelled. She has become what child protection services call a “system crasher.” But she is not looking to change her ways, and has one goal: go back home to her mother. When anger management trainer Micha is hired to help, suddenly there is hope.
Boulevard's EndBoulevard's End · 2014
Boulevard's End
2014
MovieDocumentary
This short documentary focuses on the very end of Washington Boulevard, where the city of Los Angeles meets the ocean and the Venice Pier begins. The rough and simplistic concrete pier braves pacific storms and provides stillness and stability. People come to walk, to fish and ease their minds. The film takes a closer look at the diverse people all around the pier. Among them the filmmakers find two citizens, both immigrants, who take us on their personal journey through history.
The LicenseThe License · 2017
The License
2017
MovieScience FictionDrama
Adam and Ella's application for a license to procreate is in the final stages of review. The only thing standing in their way is the bureaucratic license clerk, and a spot-on performance.
Without This WorldWithout This World · 2017
Without This World
5.02017
MovieDocumentary
World, that is for the followers of a small Mennonite community in Argentina, all that is outside, beyond their community, where the "worldmen" live. Their everyday life is determined by an attempt to ward off everything modern, a life without electricity, machines and communicative media, a school whose only books are the Bible and the Catechism. Nora Fingscheidt takes this life in the eye and lets it be told by those who live it - in different degrees of devotion. In the process, it is not least apparent how a life-style, which has devoted itself entirely to the departure from this "world," is formed around it. And then, between the pictures and the words, a gap opens, in which the longing for a more destitute life, as well as the fear of a sad departure, becomes perceptible.
H24: 24 Hours, 24 Women, 24 StoriesH24: 24 Hours, 24 Women, 24 Stories · 2021
H24: 24 Hours, 24 Women, 24 Stories
4.22021
SeriesDrama
Twenty-four short films by 24 female writers, performed by 24 women actors, all based on women’s real life experiences of sexism, harassment, and violence. A diversity of female voices and talent from across Europe come together for a series that tackles head-on the everyday brutality experienced by women.

Filmography

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Without This WorldWithout This World · 2017
Without This World
5.02017
MovieDocumentary
World, that is for the followers of a small Mennonite community in Argentina, all that is outside, beyond their community, where the "worldmen" live. Their everyday life is determined by an attempt to ward off everything modern, a life without electricity, machines and communicative media, a school whose only books are the Bible and the Catechism. Nora Fingscheidt takes this life in the eye and lets it be told by those who live it - in different degrees of devotion. In the process, it is not least apparent how a life-style, which has devoted itself entirely to the departure from this "world," is formed around it. And then, between the pictures and the words, a gap opens, in which the longing for a more destitute life, as well as the fear of a sad departure, becomes perceptible.

Director