Acting
Takeshi Itō
Born February 9, 1962 · Onojo, Fukuoka Prefecture, Japan
Died September 7, 2014 · aged 52
Takeshi Itō (伊藤猛) was a Japanese actor, well known for his roles in pink films during the 1990s.
Known For
Molester Train: Mischievous Wives · 1992Molester Train: Mischievous Wives
★ 3.71992
Movie
A former Self-Defense Force officer who returns to his hometown with his comrades to fight for his life. A woman who comes to trace the trail of her husband, who has been missing for seven years. A woman who wants something stimulating in her boring village. A man and his daughter who left his wife without giving a reason and drifted to a fishing village in the north to live in seclusion. The lives of these five people intersect for a moment and are eventually dismantled again.
Uncle's Paradise · 2006Uncle's Paradise
★ 4.72006
MovieFantasyDrama
This surrealistic comedy follows the life of Haruo Maekawa, a young man who makes a living catching squid. Haruo is obsessed with catching a legendary giant squid rumored to live in Tokyo Bay. Haruo's uncle Takashi, fallen on hard times, comes to stay with his nephew until he can get back on his feet. Uncle Takashi is addicted to energy drinks, and seduces any woman in sight, including Haruo's girlfriend Rika. While praying at a Shintō shrine, Uncle Takashi is bitten in the scrotum by a poisonous snake and dies. The uncle is destined to spend the afterlife in Hell unless his nephew and girlfriend can rescue him from the King of Hell.
BAD FILM · 2012BAD FILM
★ 7.32012
MovieCrimeAction
Near the end of the 20th century on Tokyo's Chuo train line, just before Hong Kong's return to Chinese control, masses of people go on a rampage, and love runs wild.
Keep on Masturbating: Non-Stop Pleasure · 1994Keep on Masturbating: Non-Stop Pleasure
★ 4.31994
MovieDrama
A man with a troubled past including incest with a younger sister and the murder of a woman travels to an isolated countryside town in Nagano. There a local who mistakes him for a famous television actor shows him the town's sites, including a strip bar in which the performers remove Heian era costumes. The film's narrative is in an allegorical and disjointed manner with references to Buddhist concepts.
