Raul Faria da Fonseca

It focuses on maritime tragedy of the town and a forbidden love between Julha and João Moço, from different fisher castes, in a community where mixed-caste marriages were not allowed and dating without parent's assent was seen as a disgrace to the family, not only in respect to women, but also men.

The film deals with the story of smugglers operating in the border areas of northern Portugal. A group of smugglers who escaped police installed in a village to have a quiet life, but facing hard times have to go back to smuggling.

André (Curado Ribeiro), is a son of a wealthy family who meets a girl called Luisinha (Milu). Luisinha lives at a small pension house with Rita (Maria Olguim) and Januário (João Silva), who are as parents to her, and with mr. Simplício Costa (António Silva), better known as Costa do Castelo, a lazy but highly talented guitar player who together with (Hermínia Silva) reaches success.

Shown in Cannes 1946, most of the film was lost and only 32 minutes of images with no sound survive today. An elementary school teacher, Lídia, is placed in an isolated village in the mountains and on the first day of school the doctor informs her that she will have to go away with the priest for three days. These will be the three godless days of the title, in which the young teacher will meet the lord of the hill, Paulo Belforte, who is feared by the whole village for allegedly setting fire to the church and for having tried to murder his own wife. Due to a series of misunderstandings, the villagers turn against Lídia and Belforte, to the point where at the end there is a torchlight procession to purify the diabolical events of Casal de Lobos. But all ends well, and peace is restored through (semi-)divine influence...

The battles of King Ramiro against the Moorish king.