Dalia Huerta Cano

For two years, a surgeon obsessively sends messages to her husband's ex-lover upon learning of his infidelity.

A film poem that reflects on light and darkness, confinement and freedom, and wonders on an outbound journey or a coming back.

The story of 9 parts of the body of persons that suffer changes through a year. The animations of body modifications about growth, aesthetics or pathologies are illustrated with stories and images of spaces that surrounded each character.

An exploration of everyday ambivalence around property, consumption, and whiteness.

Do we belong to a place, or does a place belong to us? Like a skein that unravels, this question unfolds the essayistic thread of the film, going through a series of relationships, from the link between Tzotzil women and nature to a reflection on one's work as a documentary filmmaker.