Robert Fenz

Directing

Robert Fenz

Born March 21, 1969 · Ann Arbor, Michigan

Died August 20, 2020 · aged 51

Robert Fenz was a visionary filmmaker and artist whose dynamic moving images speak directly to his passionate connection to place and the fleeting, untold histories he so skillfully reanimated. Inspired by the great street photography of the 1950s and 1960s and dedicated to shooting film as film, Fenz invented extraordinary beautiful, innovative and often rapturous images that gave vital form to h…

Known For

Down ThereDown There · 2006
Down There
5.32006
MovieDocumentary
Akerman spends a month in Tel Aviv, in an apartment by the sea, contemplating childhood, family, and her Jewish identity.
The NightThe Night · 2014
The Night
2014
Movie
The night of Marseille seen in a different way
BooksBooks · 2014
Books
2014
Movie
Documentation of a book project by artist Arturo Herrera.
NocturneNocturne · 1998
Nocturne
4.31998
MovieDramaHorror
Nocturne is a psychological horror film built on the conflicts of a woman tortured by the ambiguity between reality and illusion, dream and desire. The woman has perhaps murdered her lover and is living in an unstable world when he returns to her at night, in her dreams and into her arms, as witness to the subversive violence of nature, corporeality and desire. (PA)
CorrespondenceCorrespondence · 2011
Correspondence
2011
Movie
Filmmaker Robert Fenz returned to the locations of three classic films made by the pioneering American ethnographic filmmaker Robert Gardner. Dead Birds (1964) was filmed in West Papua, Rivers of Sand (1974) in Ethiopia and Forest of Bliss (1986) in Varanasi, India. Correspondence is an elegy for a kind of imagemaking that is in the process of disappearing.
From the Other SideFrom the Other Side · 2003
From the Other Side
7.12003
MovieDocumentary
From the Other Side is a haunting and minimalist documentary that explores the tragic realities of illegal immigration along the U.S.–Mexico border, focusing on the twin towns of Agua Prieta, Sonora, and Douglas, Arizona. Director Chantal Akerman utilizes her signature long, observational takes and static shots to capture the harsh desert landscape and the architectural starkness of the border wall. Through deeply personal interviews with Mexican migrants and grieving families, contrasted against the high-tech tracking systems and perspectives of white American ranchers, the film highlights how tightened border security forced migrants into increasingly perilous terrain. Ultimately, the documentary serves as a poetic, empathetic, and politically charged meditation on xenophobia, separation, and the human cost of geographic boundaries.
Meditations on Revolution Part II: The Space in BetweenMeditations on Revolution Part II: The Space in Between · 1997
Meditations on Revolution Part II: The Space in Between
9.01997
Movie
Filmed in Rochina, Latin America’s largest shantytown.
Meditations on Revolution Part I: Lonely PlanetMeditations on Revolution Part I: Lonely Planet · 1997
Meditations on Revolution Part I: Lonely Planet
7.01997
Movie
Structured as an improvisational homage to Cuba's endurance and captures the serene rhythm of Havana's contemporary street life

Filmography

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From the Other SideFrom the Other Side · 2003
From the Other Side
7.12003
MovieDocumentary
From the Other Side is a haunting and minimalist documentary that explores the tragic realities of illegal immigration along the U.S.–Mexico border, focusing on the twin towns of Agua Prieta, Sonora, and Douglas, Arizona. Director Chantal Akerman utilizes her signature long, observational takes and static shots to capture the harsh desert landscape and the architectural starkness of the border wall. Through deeply personal interviews with Mexican migrants and grieving families, contrasted against the high-tech tracking systems and perspectives of white American ranchers, the film highlights how tightened border security forced migrants into increasingly perilous terrain. Ultimately, the documentary serves as a poetic, empathetic, and politically charged meditation on xenophobia, separation, and the human cost of geographic boundaries.

Director of Photography