Gisele Ferran

A strange black spot approaches the coast, bringing death and destruction to a fishing village. In a desperate flight to escape the chaos, lonely Albino fights for the great love of his life at the risk of his own soul.

It's 2019: a totalitarian odyssey. Cold winds. Death pulse. Dancing and eating, with penguins and tortured humans screaming in the abyss of death. Every year they travel to the coast with the intention of dancing and then die. All over the world, there's more than meets the eye. Land and sea to share. Red, yellow, black and white. There's darkness and there's light. Sad stories are told, but it's good to be alive.

Zombies, beautiful dead girls, newly-dead and a wide variety of colorful and slimy undead invade the West of Santa Catarina, Brazil. Guts roll while "yerba mate" Cronenberg is consumed by the farmers. But the zombies aren't the biggest problem when all the humans are sadistic and selfish.

A film about the urgency and brevity of life. Desire and delirium in the approach of the olimpium of death.

"The dead's passion" is an animated short-photonovela, telling the origin of the character "Zumboa", a potential innocent victim (and a fan of horror films) who, attacked by disgusting and lustful undead out of an old cemetery, turns into a much more lethal creature ... A very alive, dominating and seductive dead.

In this anthology of horror episodes, 13 bizarre stories are told by independent film directors of Southern Brazil. Between ghosts, serial killers and demons, they conduct their strange, very strange stories.

A gore story about a girl who learns to use sharp machetes to avenge the death of her beloved murdered by religious fanatics.

Member of the project 13 strange stories.

Project consisting of four short films, partially filmed. Scenes from one of these short films were included in the feature film Zombio 2.

Visual experience with genitalia in a political struggle. Written, Produced and Directed by Petter Baiestorf, with a tasty edition by Gurcius Gewdner and magical photography by Daniel "Australian" Yencken and the genitalia of barbarian Coffin Souza. Don't vote for anyone !!!

Presented at the hall of the rejected in 1863, Lunch on the Grass by Édouard Manet bewildered many judgments of his time. In 2013, Gurcius Gewdner refiled the work. In the image, while the gentlemen are talking to each other and a kind of nymph is bathing behind the group, a naked woman looks at the viewer with a questioning look. A female figure who is neither placid nor modest, nor cornered and sustains a question in her eyes. Through the body, for unexpected carnal reasons and for the Dionysian celebration of a joyful existence, the individual deviates from his condition as a flock. Bewildered sheep that can then find a new north, which is delight and question, surface and mystery, beauty and strangeness.