Nicole Murgia

Army colonel Gabriele Moresco and twelve of his soldiers occupy a hospital in Sicily, Italy, taking every patient and doctor as hostages and giving an ultimatum to the government: if they won't admit their role in hiding proof of the use of depleted uranium in the Balkan Wars and the subsequent countless cases of cancer among Italian soldiers in 56 hours, all the hostages will be killed. Negotiator Paolo Manfredi is called to save the hostages, not knowing that his wife and daughter are among them.

A middle-class Italian family is tore apart when the father meets an old flame, the mother—a frustrated onetime actress—auditions for a play, their insecure son tries to make friends through drugs, and their underaged daughter—who has already figured out how to use sex to her advantage—does what she does best to appear on TV.

In Pellizzano the town is in turmoil. There will be a casting for a horror film by director Rocco Siffredi and many are aspiring for 15 minutes of fame.

As the Christmas holidays approach, Don Donato, now a cardinal, is called back from Rome to assist his uncle the bishop. The latter, in fact, requires constant care.

A shepherd from the mountains of a remote Asian region travels to Southern Italy, in love with what he saw on Italian television. There, he accidentally ends up in a holiday resort, where he's treated like a guest for a whole day, thus cementing his assumption that all the opulence and kindness he saw on TV were true.

While preparations for the wedding between Luna and Luigi are in full swing, Angelo, the bishop's twin brother, unexpectedly drops into the rectory with the intention of recovering an inheritance that he has not yet pocketed: 12 gold bars.

Two very different men find themselves locked in the same cell: Romolo, a mature lawyer whose professionalism and integrity leave much to be desired, and Angelo, who was forced to commit crimes simply because he was unemployed and penniless. After bridging the cultural gap between them, the two hatch a plan for a spectacular escape.

Antonio and Emma have been separated for years, but he does not accept when Emma dates other men. Indeed Antonio proves obsessive, aggressive and intrusive, and again threatens Emma to hurt the children: little Kevin, shy and introverted, and the adolescent Valentina.