Pál Zolnay

After having lost her parents, young Juli returns from the Soviet Union to her native Budapest. Scarred by the wounds of the past, the ghost of Stalin’s oppression haunts her as she reunites with her aunt and adoptive mother Magda.

1946. Borok Vince, party secretary, and Holló Döme, former landowner, arrive in Nagybökény the same day at Easter. The latter wants to get back his castle and land with the help of his attorney. Albert József, the police-chief, wants to strengthen Communist power with tough actions. His R-guards disperse the clerical torch march.

For the first time after 11 years, Simon, a young historian visits the village of his childhood at Balaton and Aunt Lina, his foster-mother. He gets upset by what he experiences there: the old woman's troublesome and vexing everydays, her quiet sadness. He is overwhelmed by his own memories, the death of his foster-father and by everything he was not aware of before, or he simply wanted to forget.

The movie is based on a short story by V. Kataev. A young tractor driver Duri loves Dorka, the daughter of the owner of a ring-throwing attraction. The girl's father is against the marriage. Durie makes a cunning plan: he starts practicing ring throwing. At the opening of the attraction, Durie takes part in the ring toss and wins prize after prize, which he immediately hands out to the people around him. Dorka's father allows Dury to marry Dorka to save his business from ruin.

A continuation of "Diary for My Children," the film picks up in 1950, when Juli, the diarist, is 18 and determined to become a movie director.

Teréz is an obstetrician-gynaecologist. After her regular working hours she conducts a sociological survey about why couples do not have more children.

Four young primary school teachers live together in a country cottage of a remote village and in a constant monotony somewhat varied with quarrelling with one another. They spend their lives around the school and the yard. One night, a cheerful company of hunters pops in their home.

1958. In the cell of the condemned, seven men await the signs of an approaching execution. All of them recall their pasts and envision their wish-dreams.