Sanjiv Shah

Early-1940s, rural British India. When a woman decides to fight against the village's despotic subedar and is supported by the guard of the local spice factory, more women join to defy the prevailing oppression.

Having moved to the city of Khojpuri to pursue his scientific investigations into the uses of onions, Hunsilal soon discovers a novel way to tackle mosquitoes, and is celebrated by Raja Bhadrabhoop. However, he soon learns that things may not be as they seem, that the mosquitoes may not be the pests (or even the insects) he once assumed them to be, as he gets drawn into an undercurrent of revolution and discovery, precipitated by his burgeoning love for his colleague Parveen. Inspired by the traditional Gujarati Bhavai, 'Hun Hunsi Hunsilal' is interwoven with an absurdist, innovative soundtrack and presents a satirical, modern day tragic fable about fascism, revolution and the power of stories, all shot beautifully, in what is one of India's most powerful and relevant films to date.

A documentary on the socio-economic injustice meted out to the slum-dwellers in Bombay, and an attempt to understand the factors responsible for it.

Man-pulled rickshaw, which have served Kolkata for over eight decades face virtual extinction as a result of legislation introduced by the State Government in 1981. This would rob over 100,000 people of a living. The film analyzes the critical situation, and on the basis of concrete facts and figures, questions whether such a step would be fruitful at all. The image of a man pulling a man is a depressing and a negative one - but not more negative than that of the image of a man going without food.