Magda Vizcaíno

In this remake of the 40's classic, two lovers murder each other, leading to an investigation and the closing of the Saln Mxico, a famous place where people used to go to dance before WWII. The police investigation leads to several flashbacks about the life and death of a low-life dancer named Mercedes (Maria Rojo) and her lover.

Nathan is a very gifted Mexican scientist specializing in cellular biology. He is a very withdrawn man, good, solitary and helpful, who has a secret passion for Maya, one of his colleagues at work. But soon their lives are shaken by an encounter with Jacques, a man with supernatural powers.

Arcelia takes care of her lifetime partner Lulu. Julian, a teenager exploring his identity, lives under the watch of his conservative mother. A sudden event will draw an unexpected path between the old couple and Julian.

"Las Lloronas" is an adaptation of the legend of "La Llorona"(Weeping Woman). It's based on the story of three generations of women within a Mexican familiy. Cursed by la llorona, these women fight to overcome the situations that arise by this. Through the struggles that these women face, they must eventually come to terms with destiny. "Las Lloronas" is a story of love, loss and triumph of the spirit, as well as the inner strength that each women has within.

Martha is a 75-year old woman who lives alone in a social interest house in the outskirts of Mexico City. Martha decides to end her life. Her thrilling journey towards death, will surprisingly lead her, for the first time, to life.

The story is about a young man suffering mental retardation and sexual awakening, poet is charismatic and has the ability to pay attention to those little insignificant details of everyday life. His new status as a lover will bring popularity and with it problems will expose prejudice and false morality of a blinded people to wash their sins charged with the death of the less guilty.

A series of events related to a 100 dollar bill.

Working-class dude gets a gig as a waiter doing banquet service, and loses his moral compass through his contacts with decadent rich folk.

Three octogenarians set out on a trip in order to fulfill the dying wish of a lifelong friend, in spite of the disapproval of their families and the limitations of their advanced age. Along the way, they find themselves embroiled in a series of comedic misadventures and meet a cast of colorful characters. Their journey fundamentally alters each characters' sense of self and their place in the world. There is, indeed, life after 80.

Bego, a housewife in a mid-life crisis, lives bored and afraid of being inconsequential, however, her life evolves into a mysterious game once she enters into a cult that preaches three days of darkness...

Mari Gaila (Silvia Pinal), is an adulteress who lives between ragged, thieves, prostitutes, dwarfs and other misshapen beings, in a rare box at a country and a vague time. Her husband, is a poor sacristan who agrees with other relatives to do business with the display of his orphaned nephew, a mentally retarded dwarf. Caught in committing adultery with her lover, Mari Gaila is caged naked and punished by the people.

Mexican feature film

Verónica, a middle-aged highschool history teacher, leads a non eventful life: she has grownup children, grandchildren and a less than perfect marriage. This dynamic seems to be the only thing she can hold on to, as she battles a terminal illness. As she reluctantly accepts her fate, she meets Eva, an irreverent and misunderstood new student who unknowingly injects some life and enthusiasm back into her and provides her with the tools to deal with her destiny.

A woman defines her life on how she interacts with people online, disregarding the people in front of her.

Adapted by writer/director Fernando Sariñana from the stories by Juan Madrid, Ciudades Oscuras (Dark Cities) tells a story of interwoven lives in the seedy underbelly of Mexico City. The several different story lines concern hooker Lola (Dolores Heredia); her drug addict son Fede (Diego Luna); her friend Zeze (Zaide Silvia Gutierrez); Zeze's daughter Susana (Jimena Ayala); and junkie Vicente (Roberto Sosa). Also on the scene are two corrupt cops (Alejandro Tommasi and Jesus Ochoa) and one good cop (Odiseo Bichir), while Chicken (Hector Suarez) and Casimiro (Alonso Echanove) each tell their separate stories to the same bartender (Demian Bichir). ~ Andrea LeVasseur, Rovi

Angélica and José Luis have been married for thirty years and they have always lived at the same house; first with their son, Daniel, and now, by themselves. Their daily routine is threatened when José Luis loses a leg in a car accident. When they try to restructure their life, they realize their relation was already fractured and opt for silence. However, they begin a passionate search for all they have lost. José Luis takes refuge in a sexual fantasy about his young nurse, while Angélica tries to remain just as contained as she always has for so many years.

Three episodes: 1) "A Christmas dinner" where the family members fantasize about being somewhere else. The fetishist father wants to put on feminine clothes. The son longs for another transvestite adventure. The daughter yearns to be a singer and destroy the saints of the church with her voice. The youngest son wants to stab everyone dead. 2) "Game of mirrors". Two young classmates kiss on a picnic, but the girl's brother accuses the couple of being immoral. Bizarre things develop. 3) "Tetrahedron". A very fat man faces his girlfriend's longing for love.

Ines is an old atheist woman who is intrigued by the funeral services provided by Giovanna, who takes her on a tour through the graveyard to show her all the special attentions they offer to their clients

In the film "A fuego lento," Guadalupe Palma, a dancer and part-time prostitute, finds herself at the center of a suspenseful and enigmatic story, inadvertently setting off a chaotic pursuit by various factions, including ruthless gangsters. Her impoverished musician boyfriend, Óscar, becomes entangled in the intrigue, resulting in a unique cinematic experience with minimal dialogue.