Abdul Rashid Kardar

Kardar’s ultra-conservative ode to patriarchy tells of Binod (Jairaj) and Indira (Sitara Devi) who were married as children and never meet as adults. Indira grows into a ‘modern’ young woman while Binod, disinherited when his stepfather has a son, works in a distant village. Indira haughtily refuses a relationship with a pauper but she eventually realises her duties to her husband and goes to meet him disguised as Shanta, a beggar woman. Binod then falls in love with her, not realising she is in fact his wife.

Indian classic starring Shyam Kumar, Nusrat and Munawar Sultana

The naive Saroop (Nandrekar) romantically renounces earthly pleasures under the influence of a sadhu (Ashraf Khan). Arrested at a fairground and jailed, fellow convicts change his view of the world. Working in the prison’s garden, he meets the superintendent Sohanlal’s (Nazir) daughter Durga (Kumari), who was married as a child to a boy now believed dead. Ranjit (Singh) covets her and on her wedding day to the nasty Ranjit, it is discovered that Saroop was her child-husband.

Chandragupta is a 1934 historical film that chronicles the rise of Chandragupta Maurya, the founder of the Mauryan Empire. Directed by A.R. Kardar, the film depicts Chandragupta's journey from a humble background to becoming a powerful emperor, guided by the strategic brilliance of his advisor, Chanakya. The narrative likely covers the political turmoil of ancient India, including the decline of the Nanda Empire, the threat posed by Alexander the Great's invasion, and Chandragupta's efforts to unite various kingdoms to establish a vast and influential empire.

Two lovers are separated by the girl's conniving uncle, who marries her off to another man. Heartbroken, the man wanders around aimlessly until a common friend decides to reunite the two lovers.

Sundari is a stage dancer and singer, a flirt, quarrelsome, and generally up to no good. She meets with Havaldar Pritam, and both are attracted to each other. Circumstances force Pritam to arrest Sundari for viciously assaulting another woman, but he lets her escape, and is severely reprimanded by the Kotwal. Sundari feels sorry for him. She meets with the Kotwal and pleads with him to forgive Pritam, which he does. Pritam is grateful to Sundari for saving his career, and both continue to romance each other. What Pritam does not know that Sundari belongs to a gang of thieves, the leader of which is her long-time boyfriend, currently in prison, a notorious gangster by the name of Rahu.

A young prince named Ashok falls in love with a girl named Lali whom he encounters for the first time while hunting in a forest. Later on he learns that Lali belongs to a nomadic community that is at present, inhabiting his region. Ashok meets Lali again and both confess that they are in love with each other. In the meantime Lali's father, who is the head of his community, sends a man named Phulwa to look for her.

A. R. Kardar’s Pooja tells a disturbing story of two estranged sisters whose lives are fractured by a violent act of revenge and years of buried truths.

Living a life of privilege in post-colonial India, wealthy young Prem Shankar faces a crisis when his businessman father insists on an arranged marriage to a rich family's daughter. While juggling the affections of his close friend Kasturi, Prem falls desperately in love with the free-spirited gypsy woman, Dulari. When his enraged father issues an ultimatum—never see Dulari again or forfeit his inheritance—Prem must confront the agonizing choice between his duty to his privileged family and the true, forbidden passion of his heart.

A powerful and princely Sheikh lives in 18th Century Persia, makes a living renting out properties, and recovering taxes and dues on them. He lives in a palatial house with his wife, Zubeda, and son, Ahmad. When Ahmad grows up, Zubeda notices that he is spending too much time with women in their harem, and wants his father to get him involved in their business. Sheikh accordingly instructs Ahmad to collect all revenue, which he does so. A few days later, Sheikh is informed that Ahmad has been spending time with a friend named Farid, and is romantically involved with a dancing girl named Yasmin. A visibly upset Sheikh accordingly warns Ahmad to mend his ways, give up on Yasmin and return home, where he has planned his marriage with Nadira, the daughter of Amir Qasim.

Premnath, a once-worldly man who finds peace as a devout ascetic. His detached existence is disrupted when he's compelled to become the guardian of Radha, the orphaned daughter of his old friend. As he guides her, he's drawn back into the world's complexities, fighting for her happiness and confronting societal challenges, ultimately questioning the boundaries of his spiritual vows in the face of human responsibility.

A social drama exploring contemporary societal themes. The film features a prominent cast including Shobhana Samarth, P. Jairaj, and Mazhar Khan, alongside supporting actors like Azurie and Hari Shivdasani. It delves into a "social story" penned by Ahmed Abbas, focusing on interactions and challenges within its "New World" (Nai Duniya) setting.

The evil Chand (Motilal) and his rich father Mangaldas (Date) persecute the nice Sunder (Ishwarlal): he kidnaps Sunder's sister Kokila (Khursheed) and frames him for theft. Sunder is jailed. The abducted Kokila succumbs to the villain's charms and her love reforms him. When released, Sunder, unaware of the fact that his enemy has reformed, seeks revenge on the very day that Chand and Kokila are to marry.

A social drama by A. R. Kardar, was a hit for Rampyari and Moti Mahal Pictures. It's famous for introducing Indian cinema's first "vamp" prototype, with Rampyari seducing Prithviraj Kapoor in an off-shoulder dress and using a cigarette-holder. Music by K. C. Dey.

Raj Kumar Ashok belongs to a rich and aristocratic family. His parents want him to marry the best of the best girls money could find. Ashok's dad then spends a lot of money to invite proposals from all over India. But Ashok loves Kokila, who belongs to a poor family and sells flowers for a livelihood. Ashok decides to carry on his love with Kokila and at the same time witnesses the hilarious goings-on at his residence when the dads, mom, and the brides-to-be assemble - all from different parts of India - all speaking a different language. And with this multi-lingual medley, misunderstandings are bound to happen - and they do. His parents eventually select Roopa to be the bride. What will happen to the budding romance of Ashok and Kokila?

Film starring Ali Athar and Anwari Begum.

A cautionary tale about wealth not bringing happiness. The blind Mohan (Kumar) lives in a village with his ward Radha (Madhuri). He wins a fortune with a sweepstake ticket sold to him by the tramp Ramesh (Charlie), who claims his due and begins to take over Mohan’s life, making him move to the city and getting him married to Chinta, a prostitute. When Mohan’s eyesight is restored, he finds that his wife is having an affair with Ramesh. Mohan takes revenge and eventually lands up in his old village, a poor man, but with Radha still unchanged, waiting for him.

Indira (Suraiya) is an orphan brought up the strict and uprighteous Rani (Veena). Indira grows up to be a beauty and is sought by three suitors Raj (Raj Kapoor), Kundan (Al Nasir), and Ramesh (Suresh). Rani does not like Indira to marry into her family as both Raj and Kundan are her brothers, and she wants Indira to marry Ramesh, and as such arranges a meeting with Ramesh's mom (Pratima Devi) and finalizes the marriage. Indira does not appreciate this and refuses to marry Ramesh. Raj speaks of his love with Rani, and Rani warns him that Indira is to marry Ramesh, but also has an on-going affair with his brother Kundan. Who does Indira really love? Will she ever marry her dream man?

A psychiatrist spirals into madness after being tricked into marrying the wrong sister. When his obsession with her sibling grows, he uses his medical authority to turn her insane and imprison her within his own asylum.

Shahjehan (a raw Rehman in one of his first releases) is approached by a Rajput chieftain, Jwala Singh, narrating the plight of his foster daughter, Ruhi (Ragini), who is blessed with unheard of beauty. This gives rise to an army of suitors, who indulge in violence to prevent her from getting married by scaring her to-be grooms. Her beauty, confined to four walls of Jwala's haveli becomes part of folklore, and street gossip, through the poetry of Sohail (Saigal) who accidentally catches her glimpse, and falls in love with her.

Deepak goes for an interview and mistaken as possible groom for Rajasaheb's daughter Bina. They fall in love but afraid of dire consequences Deepak runs away. They meet again and Rajasaheb get Bina married off to Deepak.

Desperate for work, Deepak's accidental impersonation of a rich man leads to unexpected romance with Bina. But when his secret unravels, it shatters alliances and leaves hearts broken. Discover if love can truly conquer all, even after a grand deception.