Tim Rescala

Classical music student arrives from Buenos Aires to live with his rocker cousin in Rio De Janeiro. Between parties full of rock and roll, he has to decide between his childhood girlfriend, now a respectful businesswoman, and the volleyball player Vera.

A Woman's Soul unveils the world of Rio de Janeiro's travestites - these mythological figures who have opt for sexual ambiguity. Caricatures of women who live in marginality. The documentary shows that behind the stereotypes, exoticism and flamboyancy that involve the travestites, there are human beings with dreams, rights, ambitions and frustrations - as everybody else. The film recieved the Honorable Mention at the XXV Jornada Internacional de Cinema da Bahia in 1998. It was also exhibited in New York and at the London Institute of Contemporary Arts.

A little kid-ghost called Pluft lives with his ghost-mother and ghost-uncle, in a remote house in a desert island. He doesn't even believe people real exist. His world will be thrown upside down, when an evil pirate (Perna de Pau) disembark on the island, after kidnapping the little girl Maribel (daughter of a famous captain), in search of Captain's hidden treasure. Three friendly sailors will help to free the girl. Based on a very well known Brazilian children's play.

In Nilópolis, Eliane, a 15-year-old girl, who is the daughter of a lower-middle-class couple, falls in love with Otávio, a 33-year-old divorcee. Upon learning of the relationship, Eliane's parents forbid her to meet her lover.

In this documentary Coutinho examines the plight of the people who live off the waste of the Brazilian cities. These people make their living by scavenging the immense urban garbage dumps searching for whatever they can find to sell as well as whatever they can find to eat.

Six stories of children and adolescents who had their rights violated, and the reality of the Rights Councils and Guardianship Councils (newly created in 1995) of two Brazilian cities, Blumenau and Belo Horizonte.

For six decades, the cinema of Nelson Pereira dos Santos has projected Brazil into the eyes of the world. Precursor of Cinema Novo, Nelson was, more than a director, he was an ideologue, a thinker of his country.

Three stories of female action in social movements, close in their struggle but distant in the geographical space: the Jardim Uchôa Residents Association, in Recife; the Rancho Fundo Residents Association, in Rio de Janeiro; and the Popular Legal Prosecutors group in Bom Jesus, Porto Alegre.

A great love story, a family rivalry that spans generations: the telenovela narrates the love for the São Francisco River, which is revealed in the feelings between Maria Tereza and Santo.

An industrialist is forced to marry his daughter Rosalia to a banker to save himself from bankruptcy. But Rosalia is in love with Adriano, unaware that he is the banker's son.

Maria is an orphan girl who suffers from her stepmother's wickedness. She then decides to escape in search of the fringes of the sea and takes a long walk through Brazilian folk tales. On her journey, she meets several fantastic characters.

'Escolinha do Professor Raimundo' was a comedy program starring Chico Anysio, the unforgettable Professor Raimundo Nonato, and which brought together some of the biggest names in Brazilian comedy. Marked by informality and improvisation, the School was a landmark, immortalized catchphrases like "And the salary, huh?" and paved the way for new and established talents. Created in 1952 by radio host and comedian Haroldo Barbosa for Rádio Mayrink Veiga, the School arrived on TV five years later as a segment of the program Noites Cariocas, on TV Rio. For 38 years, the School was a segment hosted by Chico Anysio in various comedy programs. In 1990, it premiered as an independent program on Globo and became a classic of Brazilian television.

In 1920, in the Minas Gerais town of Bom Jesus da Moóca, La Mamma tries to protect her seductive son Manfredo Antônio from jealous husbands and a plot that threatens her reputation.

The story takes place in São Paulo, in the late 1920s, and has Mariano's memories as its starting point. Orphaned, he loses the aunt who raised him and ends up in Madame Iara's brothel, where he meets two people who transform his life: Esmeraldo, a gigolo who loves the good life who becomes his master; and the prostitute Guadalupe, known as Lu, a sweet and extremely sensual woman. Esmeraldo is Lu's boyfriend, whom he loves unconditionally. Mariano enters the couple's lives and ends up falling in love with her, thus forming the love triangle that drives the entire narrative.