Raffaele Vannoli

In postwar Rome, a working-class woman dreams of a better future for herself and her daughter while facing abuse at the hands of her domineering husband. When a mysterious letter arrives, she discovers the courage to change the circumstances of her life.

Guido and Antonia are a young couple with opposed characters and backgrounds. He works a night job as a doorman, while she works all day in a car rental service. This is the story of what happens when they decide to have a child.

Count Dracula trades Transylvania for Italy in search of fresh blood and Western standards of living, but finds instead his ancient love Zora, reincarnated as a young graffiti artist from the Roman hip-hop scene.

Paolo is an outgoing and handsome real estate broker married to Simona, a beautiful woman from the rough outskirts of Rome who has become an author of spicy bestsellers and is pregnant with their child. Betta, Paolo’s sister and her husband Sandro organise a dinner party with Paolo, Simona and their childhood friend, the eccentric musician Claudio. During the lively gathering Paolo reveals what he would like to name his son, causing reactions to steam up and a torrent of revelations to follow reaching climactic proportions.

The film tells the story of the Michelucci family, from the nineteen-seventies to the present day: the central character is the stunningly beautiful Anna, the lively, frivolous and sometimes embarrassing mother of Bruno and Valeria. Everything begins in the Summer of 1971, at the annual Summer beauty pageant held at Livorno’s most popular bathing establishment. Anna is unexpectedly crowned “Most Beautiful Mother”, unwittingly stirring the violent jealousy of her husband. From then on, chaos strikes the family and for Anna, Bruno and his sister Valeria, it is the start of an adventure that will only end thirty years later.

From childhood to fatherhood, Piero learns things the hard way while growing up in a working-class neighborhood of Livorno.

A woman and her 10-year-old son face, in their own way, the mourning for the death of the husband and father, which took place in a factory, while the waiting and the recollection for the day of the funeral grow all around.

Having just moved back in with his working-class parents, twentysomething on-and-off philosophy undergrad Walter navigates turn-of-the-millennium Turin and Gen-X ennui.