Trần Thị Bích Ngọc

Cynical British journalist Fowler falls in love with a young Vietnamese woman but is dismayed when a naïve U.S. official also begins vying for her attention. In retaliation, Fowler informs the communists that the American is selling arms to their enemy.

Though only 14 years old, May is selected to be the third wife of a wealthy landowner. Her new home seems idyllic, her husband favours her, and she quickly becomes pregnant with what she is certain will be the desired male progeny. But trouble is quietly brewing: she witnesses a forbidden tryst that will spark a chain reaction of misfortunes — and stir in May urges that until now had been dormant.

Hanoi comes across almost picture-perfect in director Tran Anh Hung's beautiful, elegiac tale about the lives and loves of three Vietnamese sisters. A mood characteristic of Hung's films is set early on with the vivid sounds of birds, insects and water and the way the lighting enhances the subtle use of color. They all combine to gem-like effect here.

Mây, a fourteen year-old girl is being married as the third wife to a rich landowner in the late 19th century Northern Vietnam. A black & white reworking of 'The Third Wife' with no dialogue and a newly composed score.

Văn comes back to Ho Chi Minh City from the US with his boyfriend Ian to visit his mother. Being the male heir of the family, everyone expects him to take a wife soon. And to top it all, his grandmother, who has Alzheimer, mistakes Ian for her grandson.

Tam, a diligent wedding venue staffer, discovers her husband’s affair on live TV. Rather than confronting him, she enlists a powerful spell master to win back his love. Tam’s daughter, Ha, pours her frustration into vivid fantasies of a brighter future abroad. Meanwhile, a mysterious House Spirit, visible only to the women, lurks beneath their cracked, leaky ceiling.

A woman tries to cling onto dimming links to her past after inheriting a pygmy slow loris from her long-estranged husband; meanwhile, her niece prepares for marriage as the young couple ponders their gloomy future together. The present and the complex echoes of Vietnamese history are entwined before a contemplative and poetic perspective.