Eloísa Muro

Chronicle of the daily activity of a newspaper called La Jornada. Through the events covered by the gossip columnist that occupy precisely the seventh page, a portrait emerges of different classes of Spain in the 50's and a vision of reality where facts are mixed comedy, police, emotional, dramatic and even tragic.

One unlucky day, a married couple with four children get an eviction notice: the building they live in is to be demolished. The family looks desperately for a new home, which is no easy task in Madrid in the fifties.

Javier Mendoza a Catholic missionary established in Alaska, recalls, when about to die, the years of his youth and his relationship with his family and friends.

Once the Spanish Civil War is over, the sons of the wealthy classes, who support politically and militarily the new regime, are preparing to begin their ascent in the social and economic sphere.

Isabel and Gonzalo, a marriage of high society, see how their happiness is endangered due to the frequent love affairs of the husband, that will eventually lead them to interact with a pair of cynical thieves dedicated to blackmail Isabel and to defraud Gonzalo in his business

Madrid in the 1870s. Amidst political intrigues against King Amadeo de Saboya, wealthy and strong-willed countess Curra de Albornoz makes her own way in spite of her son and husband, considering her indiscretions as merely trifles ("pequeñeces") until tragedy strikes her. Period drama with a luxurious production design.

Rumbo is a nice and splendid young man of gypsy origin who is in Seville with Gabriel, an old friend who was saved from suicide thanks to his intervention, who got rich in Paris thanks to the money Rumbo gave him, to the point of become an important and millionaire banker in London, Buenos Aires and Seville. Shortly after meeting, Gabriel asks him to impersonate him on a journey that he must undertake.

A Dutch sailing ship finds the wreckage of a Spanish mail ship, which has collided with an iceberg. Inside, the bodies of a man and a woman are found embraced.

After her husband's sudden death, a young widow leaves her small town to start anew in the big city. On the train, she meets a fortune teller who will fill her in about the life she could've led had she never met her late husband.

As every year, the happy marriage of Luis and Isabel wakes up ready to celebrate her onomastics her and that of her daughter, unaware that the day reserves a tragic twist in the destiny of their lives, because the girl dies in a fatal accident. The impression is so strong that Isabel becomes mad until the point of being confined in a sanatorium. And looking for her health, the doctor forbids Luis to see his wife. He can only get news from her via Emilia, the young nurse who cares for Isabel.

Clara, determined to earn her living and be valued for herself, leaves his rich father's home, changes her name and takes a room. While copying paintings at El Prado Museum, she meets Juan, who is also hiding his identity, pursued under charge of murder.

Isabel returns to Spain, after several years of absence, to be cured of a neurosis. His daughter Ana, whom he has not seen in all this time, decides to spend the holidays with her, taking advantage of the fact that her boyfriend has gone to study in Germany. During her stay in the sanatorium, Ana meets Mario, an attractive young man somewhat unbalanced, who tries to seduce her. Although at first she does not show any interest, little by little she becomes attracted to him.

Two women (both played by Imperio Argentina) from different social backgrounds, a singer and a countess, become entangled in a love triangle over their love for the same man.