Mime Fønss

The rich couple Jytte and Ole spend their lives partying and having fun. After another evening and night of partying, the couple decides to get divorced. The next day they tell Uncle Frederik, who instead proposes a bet: for a year, Jytte and Ole will live on 400,- DKK a month, so that they can experience how ordinary people live. They agree to the proposal and move into a small apartment. Gradually, they learn to cope, but give up the bet after a month. When Ole tells Uncle Frederik that they don't want to be with him anymore, Frederik unfortunately has to tell them that he has ruined their fortune. When Ole gets home, he learns that Jytte is pregnant. This changes their lives to a great extent - Jytte and Ole have suddenly found meaning in life.

Police constable Møller'og psychiatrist Dr. Mogensen will have something to watch as the Pusle to everyone's surprise finds out that she can do magic. On her birthday she gets sent an ancient, magical figure from her uncle in South America. On the same day Pusle's parents has to travel to London, and the large family is now left to strict aunt Alma.

"Modern vaudeville," where the entire story takes place at Dyrehavsbakken. In an impressionistic style, it tells the story of the waiter Mowitz, who ponders whether he loves the singer Myrna and what true love really is. He ponders too long; Myrna instead becomes engaged to the pianist Bertram, who can get her into the Circus Revue. Mowitz also takes too long to discover the singer Lillian's interest, so his friend Max snatches her up instead, while Mowitz can continue his search for the one and only.

Under the leadership of the authoritative Mrs. Emma, a mediocre theater troupe tours the remote corners of the province. Despite miserable conditions and internal squabbles, the actors keep their spirits up, but for how long?

A renowned and widowed otolaryngologist hires a young, penniless poet as live-in nanny for his three rowdy – but musically gifted – children.

Two men disappear at the same time, with one of them committing suicide using dynamite. The police try to figure out which one died and what happened to the other.

Director Albrechtsen, who heads a large construction company, is a tough and ruthless businessman. He does not shy away from dubious transactions when they serve his interests, and it is precisely on this basis that he comes into sharp conflict with his employee of many years, civil engineer Humlegaard, and the conflict leads to Humlegaard leaving the company. In the film, we now follow the far-reaching consequences of Albrechtsen's brutal actions.

Carl-Henning (Jasper Klein) is a young man working as an apprentice on a dairy farm in the Danish marshland. When he isn't working, he tinkers on a disabled car and dreams of a young girl who is a local student. After a few too many beers one night, he steals some money from the till at work. He is caught by the foreman, who beats the young man. Carl-Henning defends himself and knocks the man down a flight of stairs. Convinced he has murdered the man, Carl runs away and joins up with a traveling carnival. Although the foreman has only a slight bump on the head and all is forgiven, Carl never receives word he is welcome to return and begins a series of adventures that take him far beyond the farm.

FINAL ACT is based on Noel Coward's play "Waiting in the Wings". Even the smallest events turn into mind-blowing dramas at The Set, a retirement home for former actresses in England. Jealousy and madness flare into a firework display of toxicity when ex-primadonna Lotta Henderson (Birgitte Federspiel) moves in. A slap in the face of The Set's leading star in her own eyes, May Davenport (Mime Fønss), who has had a lifelong rivalry with Lotta both on stage and off. The daily dramas reach dizzying heights when a scandalous journalist (Anne Marie Helger) gains access like a wolf in sheep's clothing. A stunt that has a not-so-clever connection to the ladies' burning desire to be granted a veranda. The matter is raised to the highest level of the home's tough board of directors, and The Set's secretary Perry (Holger Juul Hansen) comes under justified suspicion of skulduggery. But this is where May Davenport's diva talent comes in as a sure trump card...

Kirsten gets divorced in her early 40s and moves with her son to her parents' home in Hjørring. Here she falls in love with a German officer, without considering the social ostracism and contempt she exposes herself to. Meanwhile, the tide of war is slowly turning, and German victory is no longer as certain as it once was.

The 74-year-old widow, Juliane Cramer, is a very wealthy lady with an incredible appetite for life. Despite her advanced age, she rushes from one pleasure to another, from mannequin shows to boxing matches, and when her lawyer reminds her that it is time for her to write her will, she firmly rejects him. There is no urgency: "I have decided that I want to live for many more years, that's it". She is more than generous towards her nephews and nieces and their spouses. They all live in a property that belongs to her. That is why they have never paid a penny in rent. They know that, if things get tough, they can always 'borrow' a couple of hundred kroner or three from Aunt Cramer. So everything is very good - apparently...

Bertram is very happy with his life, but is encouraged to seek new challenges. Bertram is tasked with getting Merland to sign a contract with the municipality, but it is not easy, as Merland has changed his mind. Meanwhile, Jannie is considering moving out of her parents' house and in with Pelle. Henrik and Louise's relationship is on the rocks. Louise thinks Henrik is having an affair with Lisa. Henrik and Lisa's attraction to each other is obvious, but Bertram doesn't notice anything. Lisa and Bertram's lives take a sudden turn when Henrik dies in an accident. Erling tries to make Bertram the municipal director after Henrik's death, but of course, this doesn't come without a cost.

Old Corfitz and his young wife are plagued by all the visitors who fill their house to wish them luck. But the worst thing for Corfitz is the uncertainty: Is he the father of the child? TV version of Ludvig Holberg's comedy from 1723.

The series follows the residents of an apartment building on Copenhagen's Christianshavn, as they go about their daily lives and challenges. There is Olsen, a mover with an old fashion view of the world, Clausen who runs the local pet shop, Egon the career focused assistant, their wives who work hard to keep their spouses lives together, the young couple Tue and Rikke who recently moved in, the hard working caretaker Meyer, who never puts in to much effort, and of course Emma, the innkeeper of Rottehullet, where all the important decisions are made while running up the bar tab. The series was produced by Nordisk Film for Danmarks Radio TV station between the years 1970-77. The series' first director was Ebbe Langberg, then Erik Balling and Tom Hedegaard respectively. The series was conceived by an author team of well-known Danish authors such Leif Panduro, Benny Andersen, and Lise Nørgaard.

Following a old Circus artist now having a circus school and his family, a great entertaining series typical for Danish TV in the beginning to mid eighties.

A satire of a typical Danish provincial town ca. 1900 with it's malicious, but merry portraits of the citizens. We meet the misshapen Emanuel Thomsen "Tummelumsen" and the two friends senior examining officer Knagsted and senior teacher Clausen.