Robert Vrchota

A fiction piece centered around the Czech resistance to the Nazis.

The accountants at a agricultural cooperative near Prague have completed the calculation of wages. The driver with the cashier are leaving for a bank in Prague to withdraw the cash amounting to over one million crowns. On returning back, an oncoming heavy truck appears, crashing into their car. The injured men cannot defend themselves, and the whole cash is stolen from them.

In the 1980s, the building themes were transformed into bipolar moral dilemmas involving overly ambitious individuals who wanted to excel at any cost. The hero is the head of a demolition crew that demolishes large buildings, initially a sympathetic young man who, in the pursuit of career and accolades, begins to transgress the boundaries of what was then called socialist morality and legality. He gradually finds himself at odds with the principles of ordinary but honest people. The narrative's bland, proclamatory film is closely connected to its time of creation, and there are hardly any more timeless insights to be found.

The Francs with their daughters Olina and Jirina are building a villa in the village of Rezkovice. Father Franc (Vladimír Mensík) doesn't allow himself a minute's respire and restlessly forces to work his wife, both daughters and Zdenek, Jirina's suitor. Zdenek does not protest against it and, in addition, he is skillful. On the contrary, Olina's boyfriend Libor is worse at work. He studies at the Technical College and he does not succeed much in grasping the building handicraft. Franc, proud of his pursuits, decides that he will arrange the wedding for both daughters and then hand them over the key of the villa in which both pairs have luxuriously furnished flats.

A crazy comedy, turning into a grotesque with a number of absurd elements, tells the tangled story of the over-the-top siblings Zuzana and Petr, recessionists who like to prepare harsh surprises for those around them, especially Zuzana's timid suitor Karlík. In addition to the hilarious Mr. Horák and the mannequin, the amateur ensemble Dalimil also plays an important role, tirelessly rehearsing an "avant-garde" performance of Jirásek's Lucerna...

Like a fairy tale, King Henry and King Good-thought decided long ago that their only children should marry and so prevent war arising between their kingdoms ever again. But the young prince is wary of marrying anyone he doesn’t know.

The main characters are a young psychologist Doubravka and a village youth, Honza Macháček. He is a tractor driver who temporarily lost his driver's license in a crazy bet, so he now herds a cooperative herd of cows, she is at the cottage with her boy Boba, who is not very successful in studying medicine and is currently preparing for his remedial exams. Honza's immediacy, optimism and approach to life and work contrast sharply with the selfish, weak-willed and unbalanced Boba, and Doubravka increasingly realizes that her feelings for Boba have disappeared and that she actually loves Honza. The question is how her somewhat conservative family will view such a game.

In the morning twilight of Prague, the dead body of the safe-breaker Toufar is found floating on the river Vltava with a knife in his back. Police inspectors visit Toufar's lover, the prostitute Anna Kulatá (Jirina Bohdalová), nicknamed Umbrella, and it is apparent that the moment before she opened the door of her flat, someone fled through the window. Umbrella is summoned for examination to the head of the criminal police - Police Councilman Vacátko Jaroslav Marvan, but although shocked by the photograph of the dead man, she does not confess to anything. Before Toufar, Umbrella lived with the safe-breaker Penicka (Radoslav Brzobohatý), who loved her very much and made her quit her street trade. But when he was sentenced to three years' imprisonment, Umbrella began to live with the brute Toufar, who chased her to street again. In the case of the murder, Penicka is therefore the prime suspect.