Lucy Sante

Visionary artist Matthew Barney returns to cinema with this 3-part epic, a radical reinvention of Norman Mailer’s novel Ancient Evenings. In collaboration with composer Jonathan Bepler, Barney combines traditional modes of narrative cinema with filmed elements of performance, sculpture, and opera, reconstructing Mailer’s hypersexual story of Egyptian gods and the seven stages of reincarnation, alongside the rise and fall of the American car industry.

Away from the city for the weekend, Rebecca must choose between her fiance, Thomas, and his best friend, Willy.

Before and during the Second World War, Jewish intellectuals and scholars who escaped Nazi Germany and immigrated to the U.S. faced an uncertain future. Confronted with anti-Semitism at major universities and a public distrust of foreigners, a surprising number secured teaching positions at traditionally Black colleges in the segregated South. In many cases they formed lasting relationships with their students and had an important impact on the communities in which they lived and worked. This is a story of two cultures, each sharing a burden of oppression, brought together by the tragic circumstances of war. The film also highlights the role of African Americans such as Ralph Bunche in securing positions for these refugee scholars at places like Howard University, Tougaloo College and Hampton Institute.

A young woman escapes from a mental hospital during the chaos of a nearby multiple-car accident. She is mistaken for a shock victim and is driven to her sister's house by a rescue volunteer. Then the real story begins...