Leonor Teles

The relationship of Santiago and Afonso is on the verge of ending. Facing a medicated depression, Santiago is a pianist in a creative block caught in an inner fight between his love for music and Afonso. At the risk of compromising his dreams and his own sanity, Santiago has to make a decision that will change the course of his life.

Gilberto and Jacira promised to grow old together – for better, for worse, for richer, for poorer, in sickness and in health. Till death them do part.

Her name is El - a name that sounds like a letter and makes the young androgynous woman a kind of representative of her generation. A generation that is overwhelmed by all the possibilities of the world, globalization and the digital stream. Lisbon is a promise of freedom, independence and an intense life. But the question of meaning brings doubt into everyday life: what if I were happier with someone else or called another place home? When home no longer feels like home, the search becomes routine. When El meets Kay after a break-up, in the midst of her search, their story together begins. Time, space and emotions implode in "Baan", blurring Lisbon with Bangkok, past with present.

Ara has always believed she will vanish when she turns 28 years old. As her birthday approaches, she submerges in the most fundamental sensations of existence. A masterful debut film from director-writer Ágata de Pinho, whose performance leads her character from trauma to catharsis in the most beautiful way.

Summertime. Sam and Adele are on a beach holiday in Portugal. When Sam locks eyes with Miguel, the attraction between them throws Sam, Adele, Miguel, and his friend Santiago into a new configuration. The shelter of the woods and the dynamism of the sea lead into a night of secrets and revelations.

Márcia is a social media pro and knows all the best poses and filters for perfect selfies. Her son Flávio helps her to take photos of herself. This is how she manages to hook up with famous rapper Da Reel Chullz on Instagram. She is not about to turn him down when he asks her out on a date – even if no one can be found to look after Flávio. A refreshing portrait of a single mother who knows how to work things out.

Rhoma Acans is a journey of self-discovery undertaken by the director in order to understand the true identity weight of her Gypsy heritage, from the history of his own family to the way it moves away or approaches the story of a young gypsy inside the tradition – Her name is Joaquina.

When an actor assists to the premiere of the experimental B-movie he stars in, film blends with real life, turning it into an actual thriller.

In a family-run hotel near the northern coast of Portugal, several women from the same family, spanning different generations, live together. Their relationship, poisoned by bitterness, struggles to survive in the decaying hotel. The unexpected arrival of a granddaughter in this claustrophobic space provokes turmoil and rekindles latent hatreds and accumulated resentments.

In the town of Entroncamento, violence, misfortune, greed, and loyalty rule the streets. Laura arrives there to rebuild her life, but the irresistible pull of quick money and crime immediately draws her back into a troubled past. For those she meets at this crossroads, every day presents the choice between who they were and who they might become.

Ashore portrays the life of a singular fisherman in an ancient riverfront community near Lisbon. Divided between the quiet solitude of the river and the family ties that wash him ashore, the film follows Albertino Lobo, as nature renews itself with each season cycle.

Along the day, we accompany Filomena, who works as a cleaning lady, through six different places.

School is over and there's a hustle in the air. In Porto, tourists fill up the streets and cafés. The old and decadent are now the highlights of the city’s gentrification. Vicente moves around town on his bike and watches the urban changes happening day to day. The town is no longer the same, the world is changing and so is he. Among his family and friends, Vicente lives with anticipation the first days of summer and the beginning of a new life.

Gonçalo and his friends set off on a mission to his deceased grandfather’s house, in the north of Portugal. There, the memories of the past open up new perspectives into the future.

A hotel by the northern shore of Portugal welcomes its guests over the weekend. A man is torn between being present for his wife and the space that his mother takes up between the two of them. A mother encourages her daughter’s marriage to enable her own love affair with her son-in-law. Another mother lives through her daughter, preventing her from making her own decisions. Three families at the end of their cycles of acceptance.

Idling afternoons, drugs, heartbreaks, psychedelic moods immersed in music. An adrenaline rush. Lisbon as the backdrop for a drifting youth.

At a summer camp in 2007, João meets Ivo. We Were Just Brats is a possible narrative of a queer teenager who finds, in the dormitory and in the hip-hop and pop music of his world, a space that oscillates between self-discovery and punitive surveillance.

Ricardo is a teenager searching for a way out of a ruthless reality that traps him and everyone around him, preventing them from reaching for the stars.

About the difficulty of a children to say the word "Otorrinolaringologista".

“Once upon a time, before people came along, all the creatures were free and able to be with one another”, narrates the voiceover. “All the animals danced together and were immeasurably happy. There was only one who wasn’t invited to the celebration – the frog. In his rage about the injustice, he committed suicide.” Something Romani and frogs have in common is that they will never be unseen, or stay unnoticed. In her film, young director Leonor Teles weaves the life circumstance of Romani in Portugal today with the recollections of a yesterday. Anything but a passive observer, Teles consciously decides to participate and take up position. As a third pillar, she establishes an active applied performance art that becomes integrated in the cinematic narrative. Thereby transforming “once upon a time” into “there is”. “Afterwards, nothing will be as it was and the melody of life will have changed”, explains a voice off-camera. Golden Bear for Best Short Film 2016

“A State for one man is no State at all” are the words from Sophocles’ Antigone. Sara has lost her brother to Covid–19. She wants nothing more than to say goodbye to her brother with a traditional burial that respects the Cape Verdean culture and grave site. In a world silenced and halted by the pandemic, the young woman connects with her community and memories.