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Production
Emile Abinal
No biography available.
Known For
Faces Places · 2017Faces Places
★ 7.62017
MovieDocumentary
Director Agnès Varda and photographer/muralist JR journey through rural France and form an unlikely friendship.
Les Bosquets · 2015Les Bosquets
★ 8.02015
MovieDocumentary
Art and social uproar interweave in this film based on the ballet Les Bosquets of New York City Ballet, inspired by the 2005 French suburb riots. A continuation of JR's Portrait of a Generation, it recalls his experience in the ghetto of Montfermeil using various means of expression and narration: video archives, choreography, and testimony.
Women Are Heroes · 2011Women Are Heroes
★ 7.72011
MovieDocumentary
In his film "Women Are Heroes", photographer JR takes his audience into some exceptional women’s lives. Because there are, most of the time, the first victims in war-time and left to their own during peace-time, JR pays tribute to those women who, in spite of the hurdles, keep smiling, keep fighting and keep hoping a better life. From Rio’s shantytowns to Kenyan slums, passing by Indian and Cambodian streets, he offers a fresh look at their struggles and expectations. Displaying their portraits via huge montages on their neighborhood’s walls, JR sublimates those extraordinary destinies and sheds the lights on those strong and moving personalities, too rarely recognized enough.
Inside Out: The People’s Art Project · 2013Inside Out: The People’s Art Project
★ 5.72013
MovieDocumentary
A wall can be a barrier. It can be a structure of limitation or a source of repression. For the Inside Out Project, a wall is a canvas, and so are sides of trains, the arches of bridges and the steps leading to Brooklyn brownstones. This fascinating documentary tracks the evolution of the world’s largest participatory art project, the wildly popular Inside Out. From Haiti to Tunisia, South Dakota to the streets of Paris, French artist JR motivates communities to define their most important causes by pasting giant portraits in the street, testing the limits of what they thought possible. The power of paper turns people who feel without voice into unlikely activists by empowering them with their own images.
Filmography
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