Olav Engebretsen

The throne of ice skating sees a change of regent when Hans takes over as “The King”, and the sports press can’t seem to get enough of him.

A short documentary about the construction of Oslo City Hall. The process is followed from the laying of the first stone in 1931. An entire small neighborhood had to be demolished to make room for Oslo’s new civic landmark. The demolition and construction are thoroughly documented, and we also see the extensive work devoted to both exterior and interior decoration. The City Hall was completed and officially opened in 1950. ***** Oslofilm was a series of public information films about life in and around Oslo, produced between 1940 and 1980. Funded by the state, the films offer valuable insight into postwar Norwegian society. A wide range of Norwegian filmmakers contributed to the productions, resulting in a rich variety of styles and expressions. Several of the films also possess notable cinematic qualities, standing out as more than just informational material. The Oslofilms represent a unique and important chapter in Norwegian film history.

In "Skadeskutt" we follow the couple Einar and Else Wang in a painful drama about love, happiness, sorrow and eternal damnation. About a couple's struggle trying to get pregnant and the despair of not succeeding. About psychological disorders and the society's insane judging of people with such problems. A nationwide press was impressed with "Skadeskutt". The director Edith Carlmar, one of the first female directors in Norway, was compared with Hitchcock for her work. For actor Carsten Winger, his portrayal of the character in the movie was considered a victory and a big achievement. "A sure success", "Impressive" and "A victory for Norwegian Films" are some lines from the critics. "Skadeskutt" is one of the breakthroughs within Norwegian film making.

The film highlights the city’s many contrasts. // Oslofilm was a series of public information films about life in and around Oslo, produced between 1940 and 1980. Funded by the state, the films offer valuable insight into postwar Norwegian society. A wide range of Norwegian filmmakers contributed to the productions, resulting in a rich variety of styles and expressions. Several of the films also possess notable cinematic qualities, standing out as more than just informational material. The Oslofilms represent a unique and important chapter in Norwegian film history.

A youthful drama about a young guy and his struggles with his hatred of his father. Not even a relationship with a good-looking girl seems to cool his emotions.

A little girl named Toya comes to Norway as a refugee and gets adopted by a family in Stavanger. A misunderstanding makes Toya suspected of stealing from her new family. Toya runs away from home.

Student Tom Polden lives in difficult conditions at home. His mother lives constantly on the memories of her deceased husband. Her little hat shop is rather poor and the economy is peal. Tom constantly hear about the magnificent father, and becomes a big blow when he overhears his father shot himself because he had embezzled a substantial amount of money.

We meet the young violinist Øyvind Dahl at a time when everything has weighed him down and he is completely desperate for alcohol. He has left his wife and children and has teamed up with emaciated artists and suspicious individuals, and obtains his daily liquor by mortgaging his last possessions, even the wedding ring, and by pitifully barring money.