Rudolf Meinhard-Jünger

Starring Betty Amann in her most famous leading role, Joe May's Asphalt is a luxuriously produced German Expressionist classic where tragic liaisons and fatal encounters are shaped alongside the constant roar of Berlin traffic.

German language version of Two Worlds.

Helena is a 1924 German silent drama film directed by Manfred Noa and starring Edy Darclea, Vladimir Gajdarov and Albert Steinrück. The film was based on the poem the Iliad by Homer. It was released in two separate parts: The Rape of Helen and The Fall of Troy. It was produced by Bavaria Film at the Emelka Studios in Munich. The film was made on an epic scale with thousands of extras, and large sets which rivalled those of the larger Berlin-based UFA.

A man who thinks he killed a millionaire is cared for by a Cockney girl and becomes a composer.

When actress Mary Baring is found in a daze beside her colleague's murdered body, all evidence points to her guilt. During the trial, juror Sir John Menier doubts the verdict, but yields to pressure. Haunted by remorse, he launches his own investigation.

Prevented from wedding a postman's daughter (her father prefers she marry a farmer) a Tyrol schoolteacher succeeds instead in having an opera of his acceptance in Vienna. But this isn't the happiness he wanted, he becomes a hobo.

An international gang of thieves and swindlers decide to move their criminal operation to the Teutonic city of Cologne, but Tom Wilkens, one of the best agents of the international police, is not far behind and leads an investigation to unmask the criminals.

Circus themed films usually provides a thrilling drama. The relatively obscure "Schatten der Manege" provides just what you'd expect. Doing the trapeze act angle, combining it with romance and jealousy for a darker plot, it has a lot of the right the ingredients. Does have moments where it spends too long of circus footage, which ruins some of the pacing, but otherwise a fine circus flick.

Deviating from the historical facts, Lola is introduced as a young Spanish “Gypsy” who becomes involuntarily embroiled in an attempt to poison the Infante of Spain (a short but splendid cameo by Heinrich George). As a result, she has to flee the country, arriving first in Italy, where she is taught how to act like a lady. Later, in Paris, she is invited to dance at the city’s prestigious opera house, becoming a worldwide sensation. She then becomes secretly involved in a revolutionary plot by Louis Napoléon, the future emperor of France. When the plot fails, Lola is once again forced to flee, this time to Munich, where she captures the attention of Ludwig I. Their ensuing affair arouses a great deal of hatred among the people and the establishment, however. In the end, Lola has no choice but to leave again, and vanishes into the night mist.