Edwin J. Collins

Adventures of a squire's disowned son who proves to be his bastard heir.

Silent adaptation of the Victor Hugo classic focusing on the character of Esmeralda rather than Quasimodo.

This version concentrates on the contest between Petruchio and Katerina, as it should. The Biance subplot is used only to set up the Shrew story. When the subplot is resolved, its intrusion comes almost as a surprise, but I suppose the director felt he had to tie up lose ends.

A jealous girl compromises a Lord's gypsy wife but confesses when the gypsy cures her baby's diphtheria.