Dagmar Beiersdorf

Julchen is the "feminine" (transvestite) and definitely motherly half of a couple of homosexual men, the "co-fathers" of a pleasant part-Moroccan girl. The girl has been told that her mother is dead, but Julchen knows this is not true.

A Berlin woman in her early thirties is trying to handle her psychological problems and childhood trauma with the help of her psychiatrist. She is ashamed and overwhelmed by her masochistic sex fantasies.

A Turkish woman with a Marilyn Monroe obsession hooks up with her new neighbor, an Arab. Although the young man occasionally intones Elvis Presley songs to the guitar, as requested by her, the relationship soon falls into crisis, especially since the fun-loving single mother also begins an affair with a blonde who bears a vague resemblance to Monroe. The love potions are watched curiously and commented on by other residents of the Kreuzberg apartment building.

Prostitutes, drunks, gays, senior citizens, and children, pass through one of the world's most famous parks.

Rita, the prostitute, meets the Lebanese worker Hossein. He need working papers. She needs love.

A man tries to liberate himself from a puritan-minded sister, mother, and girlfriend. The movies are his way out -- and at one late show he sees himself on the screen and begins to mix fantasy with reality.

The edgy, quirky, nearly disposable life of marginal Berliners. Four mediocre existences are on an increasingly desperate quest for love and sexual satisfaction in the urban jungle of West Berlin.

A treatise on love and desire tainted by harsh reality of capitalism, in which submission to the laws of lust-as-commerce is played out by five prostitutes and their pimp, who pits them against one another so that they are incapable of standing up to him collectively.

Lola L., a washed-up travesty star, is extremely taken with the shy, young Turk Hasim when he comes into her dressing room and wants to get to know the famous artist. While her main aim is to lure him into her lottery bed, he remains steadfast and is only interested in Lola helping him with his career. Soon enough, he outflanks her, and the deregistered Lola is forced to realize that jealousies and intrigues have now caused the situation in her travesty theater microcosm to spiral out of control.

Half-travelogue half Lambert’s fictional attempt to find his identity in the gay crowd in Central Park, Harlem, and Brooklyn.