Joãozinho

A man who's memorized his town's telephone directory tries his luck on a TV Show. But a small group of people who control the bettings in town try to get advantage of his simple-mindedness.

The Gerimum Trio arrives in Rio de Janeiro wanting to make it big in their artistic careers. They struggle with great difficulties and even sing in the street. The police pursue the three, who end up in the place they most want to be: a television studio. Mistaken for northeastern congressmen, they are taken to the TV director-general, Mr. Walter. Shortly after, Marly, the advertising star, and her secretary, Josias, enter. A heated argument ensues, but the situation is resolved when the real congressmen show up.

Somebody is selling songs for two recording companies, simultaneously. The owner of one of them hires a detective to find out the swindler's identity. But the private-eye is clumsy, and messes things up even more.

The project of urbanization of a shantytown is endangered by lack of money. To get the necessary sum, three friars start to sing in plain clothes, incognito, also recording records and doing shows in nightclubs.

The boss of Gilberto, an exemplary employee, wants to marry him with his daughter, Elisabeth. But her cousin, an unattractive girl, appears to meet him. Gilberto, who leads a hectic life, knows Betty, independent girl by whom one falls in love. In the end, she discovers that she is the boss's daughter.

Quartet from Northeast Brazil arrive in Rio de Janeiro, to try their luck in the big city.

A Velha a Fiar illustrates a Brazilian folk song in which a being or entity is always predating another being, but is in its turn predated by some other animal, until the circle closes. It begins like this: an old woman is quietly weaving and a fly disturbs her; a spider eats the fly; a mouse eats the spider; a cat chases the mouse and so on...