Glen Alyn

A meek, lowly employee at a London brokerage firm sees his life change when he's suspected of being a notorious womanizer.

A young Irishman comes up with an unusual plan to get the money to emigrate to Tahiti. One of the Ealing comedies.

Paul, artistically-inclined son of an American millionaire, moves to Paris where he can find inspiration and study the masters. While there, he finds inspiration of a different sort in the form of the beautiful Jacqueline.

On the eve of WWII a young defence lawyer, assisted by his wife, invaigles his way into a gang of foreign saboteurs. Comedy thriller, ably executed by a satisfactory cast.

A man witnesses a murder that isn't a murder, only to get involved with the magician and his wife who created the illusion. The insanely jealous magician husband eventually kills his wife, making for complications in life of unhappily married man who is now involved more than he ever thought he would be.

An aristocrat won't economize, then his rich brother in law is found murdered in the grounds of the aristocrat's house

Penniless man-about-town Michael Gore-Brown is delighted to hear he has been left a high-class Mayfair fashion salon. His intention is to sell it as quickly as possible, but on meeting Ellen, chief designer and manager, he quickly changes his mind and turns his attention to courting her.

Mother Riley plays a nurse who was forced to volunteer for the Auxiliary Territorial Service. Mayhem ensues until she is able to prevent German spies from acquiring important documents.

Two business partners are having woman trouble. One wants to marry his secretary and the other is set to marry a wealthy aristocrat. When the partner who wants to marry his secretary lets her go before he proposes to her, the woman confused woman tries to commit suicide by jumping into a river. Complications ensue.

Don't Get Me Wrong is a 1937 British comedy film co-directed by Arthur B. Woods and Reginald Purdell and starring Max Miller and George E. Stone. It was made at Teddington Studios with sets designed by Peter Proud. Unlike several of Miller's Teddington films which are now lost, this still survives. Miller plays a fairground performer who meets a professor who claims to have invented a cheap substitute for petrol. They team up and persuade a millionaire to finance them to develop and market the product, while unsavoury elements are keen to steal the formula and try all means to get their hands on it, involving slapstick chases and double-crosses. It then turns out that the miracle fluid is diluted coconut oil, and the genius professor is an escaped lunatic. The millionaire finds himself taking the brunt of the disappointment.

An unorthodox osteopath cures one of his patients, the daughter of a fellow Doctor.