Alberto Botelho

It's the oldest Brazilian movie that survived and the film that captured the first car race in Brazil.

The new Palace of the Chamber of Deputies of Rio de Janeiro, still unoccupied: exteriors, interiors and facilities. The Mass and blessing of the Palace celebrated by the Archbishop of Rio, D. Sebastiao Leme. Official inauguration; speech of the mayor Arnolpho Azevedo.

A horse tamer is the father of a beautiful girl who is coveted by his neighbor, a rich farmer. The farmer seduces and kidnaps the poor girl. The man, desperate, goes after him. In the end, when he tries to hit the man, he ends up hitting his beloved daughter. Not knowing what to do, he starts a fire in the farmer's forest, but when he sees that the fire is taking over his property, he decides to hang himself.

O Descobrimento do Brasil (The Discovery of Brazil) is an impressive historical epic recreating Álvares Cabral’s voyage to the New World in 1500, with a score especially written by the renowned composer, Heitor Villa-Lobos. One of the earliest examples of Brazilian cinema, this film depicts the perilous journey of Pedro Álvares Cabral’s armada from Portugal to Brazil. Though somewhat rudimentary compared to other films of the period, The Discovery of Brazil distinguishes itself with its scenes of indigenous people and Portuguese explorers on the beach, and in the imaginative lighting on board the ship. But the real star is the beautiful cantata by Villa-Lobos that permeates the film.

Álvaro Ramos, an incorrigible bohemian, thrown out of the boarding house where he lived for lack of payment, finds fifty thousand réis on the street. He buys a lottery ticket number 013 and wins a big prize.

Aspects of the carnival in Rio de Janeiro: the corso on Avenida Rio Branco; Dance at Fantasia at Hotel de Santa Rita; o Children's Dance of Teatro República; parade of floats of carnival societies of the Phenians and the Democratic.

An early documentary short on the Brazilian city of Rio de Janeiro, then D.C. to the country.

Criticism of the events of the civilist campaign, the owners of national politics and customs.

Brazilian "singing film" (filme cantante) directed by Alberto Botelho, featuring a screen synchronization of the famous Italian tenor aria "Amor ti vieta" (composed by Umberto Giordano for his 1898 verismo opera Fedora) and performed by Enzo Bannino.

In 1928, the city of Curitiba went through a rare snowstorm. To this day, it is the harshest snowstorm to ever take place in the city. Everything was recorded by Alberto Botelho in this short documentary.

Following the trend of all world production, this was another film based on a true crime chronicle, based on the murder of industrialist Adolfo Freire by gardener Augusto Henriques, which took place in Rio de Janeiro. No copy of Um Crime Sensacional survives, only 1 image from the film is known, which was placed in the magazine "Cinemin". It is not known whether the film was a "sound" film, that is, with actors dubbing themselves live behind the screen based on already recorded images. The only proof that the film could be a sound film is a 1913 song called "O Crime de Paula Matos" by Joaquim Pacheco, which may have been used in the sound versions of the film. This song is currently lost.

In a séance, Menezes' great-great-grandfather is brought back to life in present day (1936), over a century after his death at age 26. A free-spirited womanizer, he starts causing all sorts of trouble for the wealthy, respectable family of his descendants.

Filmed on the beaches and in a mansion in the then 'flourishing' Copacabana, it starred a caricaturist and several figures from the journalism of that time.