Diego Pagotto

When a group of young Spanish tourists travel to Venice for a bachelorette party, they are met by angry locals who are not keen on foreigners and soon they find themselves fighting for their lives.

This utterly surprising debut gets cinematically richer with every twist and turn – allowing for moments of fabulously deranged buddy comedy, touching a sense of Western, always staying true to being a descent into the abyss of the human mind and desire.

A Romanian girl dreams of living the glamorous life she sees in Italian soap operas.

We are with Pasolini during the last hours of his life, as he talks with his beloved family and friends, writes, gives a brutally honest interview, shares a meal with Ninetto Davoli, and cruises for the roughest rough trade in his gun-metal gray Alfa Romeo. Over the course of the action, Pasolini’s life and his art are constantly refracted and intermingled to the point where they become one.

The year is 1764. For over a year, Josef has been leading a precarious life in Venice. He hopes to become an opera composer. The city, full of talented and already-established composers, seems closed to him. Looking for work as a violinist, he comes into the orbit of a rich young woman. Thanks to her, he gets the opportunity to play at salons. But his real opportunity arises when he becomes the lover of a libertine marquise. She teaches him worldly manners, rids him of signs of a provincial upbringing and introduces him to a hedonistic existence free from religious intolerance. Thus transformed, Josef gets an incan incredible commission: to write an opera for the San Carlo, Europe's largest theatre.

The suicide of a prominent wine producer unleashes a series of mysterious murders.

Cristina lives a peaceful life until her older brother Ciro, who has to attend a trial, asks to spend house arrests at Cristina’s home.