Liviu Mărghidan

Kîzîm is a 2025/2026 Romanian drama film directed by Radu Potcoavă, exploring the conflict between tradition and love within the Tatar community in South-Eastern Romania. The story follows 15-year-old Selda (Yeliz Mustafa) as she navigates teenage life, love for a Christian boy, and her family's strict, traditional expectations.

Composed of six unconventional vignettes, each one dealing with the late communist period in Romania, a narrative is told through its urban myths from the perspective of ordinary people. The title refers to the alluded "Golden Age" of the last 15 years of Ceaușescu's regime.

Mo and Vera, two college students, are caught cheating on an exam, an act that will have terrifying consequences.

When the Soviet Army marched into Romania in 1944, a part of the Romanian population went “into the mountains” – a diverse assortment of nationalists and fascists, liberals, apolitical farmers and members of the middle-class, who were affected by the Communists’ expropriations. Over a thousand armed resistance groups took refuge in the inaccessible forests of the Carpathian Mountains where they waited in vain for the support of the Western Allies. One of them was led by Ion Gavrilă-Ogoranu, who managed to remain undetected until 1976 when he was arrested. This film depicts the daily existence of this group. It tells the story of a struggle that became an end in itself, as the enemy was constantly in pursuit and arrest meant torture and often liquidation. Hungry and emotionally withdrawn, the group of young men got entangled in a partisan war that could not be won, lost in the landscape of the South Carpathians, accompanied by a vigilant secret police, the Securitate.

1999. Kosovo War. In a small Romanian village, the chief of the railway station, who also happens to be a local gangster, stops a NATO train transporting military equipment. Their arrival in this small village dramatically changes its landscape.

Marius is the chief medical officer at a hospital in his small hometown, raising a teenage son, Ioan, alone after the death of his wife. He is a confident professional, who has no idea what his son gets up to at night, cycling through town vandalising cars with a gang of masked vigilantes. Marius’s world is shaken when he learns that the police have come to suspect his son of murder.

American professor Robert Traum embarks on an adventurous and amusing journey through Bucovina to find Sami the projectionist, the only person alive that can tell him anything about his Romanian Jewish descent. His symbolic journey is filled with danger, the unknown and the surreal, but finally rewarded with a double love: on the one hand he finds romantic love, on the other the passion for old cinema, nomad, popular, naive and generous.

A man becomes lured into a fictional game his ex-girlfriend has initiated. Sexually ensnared by her, and now realizing the fragility of the border between the real and the imagined, he begins to unravel. He convinces himself that if he can only write an ending to his life story, he can regain control of his life. But playing with fiction is not an innocent game…