Mirko Petrini

Cascia, 14th century, Rita Liotti falls in love, gets married and has two children. Her dream of love is soon hindered by a masculine and violent society, that Rita faces with peace and forgiveness. When she loses her husband and her children, she understands she has a mission: pursuing her path of peace, that will lead her to take the vows, and then to become Saint. Rita is a Saint of these days, who lived in a very violent age and was so brave to break free from the vengeance chain, through a deep, sincere and christian forgiveness. She is a particular Saint, talking to everybody’s hearts, as she was everything. She was a daugher, a wife, a mother and a nun, she experienced every sort of life, and in all her different lives she was a living model of christian life.

Grandfather Alcide is given a surprise party by his many relatives. He, however, dies of a heart attack. The dearly departed turns out to have been a hardened saver and leaves an astonishing amount of money to his two sons, Alfredo and Nunzio, who suddenly find themselves dealing with a large sum of money. On the advice of Nunzio, the younger brother, Alfredo decides to move to Rome to open a restaurant serving typical Calabrian cuisine, Il Piparedduzzo.

The Champions League Final, on 31st May 2001, in Rome. A football match unites men that have nothing in common with each other. The stadium becomes a modern Greek theatre, where five dramas touch one another, only to fade away in a few minutes. The main characters are, Simone, Alice, Gabriele, Pietro and Achille, all different types of people, of different ages, all looking for a place to find some peace and quiet, a taste of happiness and love, as well as someone to trust in. At the last stage people laugh, but there is always a bitter note to their laughter. And their laughter is louder and more satisfying the greater their adversity. Indeed, in the end, there is always a reason to go on, a final stage from which to rise.

Giorgio Capitani reconstructs in the Rai TV film the parable of the famous entrepreneur, in a product that in technical terms does not escape the logic of television, but still manages to offer an interesting picture of a key figure of postwar Italy.

Dir. Stefano Calvagna’s third feature is inspired by the real events in the life of Luciano Liboni, aka "The Wolf." A freewheeling interpretation of the character, here renamed Franco Scattoni (Massimo Bonetti), the film highlights the ups and downs of a rough and violent man, whose behavior borders on madness and is worsened by epilepsy. Il Lupo feels he has nothing to loose. Diving headfirst into a life of crime, he ends up killing a gas station attendant in Perugia in 2002. He then kills a young "carabiniere," and becomes a wanted fugitive. A case study in human behavior’s violent patterns framed as a psychological thriller and police story, this controversial film has been praised for the uncompromising realism of its disturbing narrative.