Ruth Roland

Bob Monkhouse introduces the golden age of slapstick comedy.

A newspaperwoman finds trouble aplenty when an Inca tribe believes her to be the reincarnation of their long-lost princess.

Cupid Angling is a 1918 silent film starring Ruth Roland and Albert Morrison, with walk-on appearances by Mary Pickford and Douglas Fairbanks. It was the only feature film photographed using the Douglass Natural Color process.

Who Pays? was a series of twelve three-reel dramas, released between March and July 1915. Henry King and Ruth Roland starred in each episode, playing different roles each time, with a variety of supporting players who varied from one episode to another. Each episode told a complete and individual story, but they were all inter-related by a uniform theme. Although there were no cliff-hanger endings, each episode did, in fact, end with a challenge to the audience: Who was responsible for the misfortune of the principal characters? The titles of the twelve episodes were: #1: The Price of Fame; #2: The Pursuit of Pleasure; #3: When Justice Sleeps; #4: The Love Liar; #5: Unto Herself Alone; #6: Houses of Glass; #7: Blue Blood and Yellow; #8: Today and Tomorrow; #9: For the Commonwealth; #10: Pomp of Earth; #11: The Fruit of Folly; #12: Toil and Tyranny.

Daniel Robin has become mixed up with a band of criminals known as "the 13," and is shot when he refuses to do their bidding. His daughter Ruth, brought home from boarding school, reaches his bedside before he expires. He tells her that she will be given thirteen keys. Instructions will be provided with each key and, if she follows the instructions, she will eventually fully learn of her birthright. Many adventures then follow as Ruth attempts to solve the puzzle of each key and establish her true birthright.

A young woman finds a trunk full of stolen diamonds, takes them and heads westward, pursued by the thief.

Just before he propelled the crime melodrama to new, macabre heights in The Unholy Three, Browning directed this partially lost morality tale pertaining to a different kind of horror: that of a middle-class family living beyond their means and falling prey to moneylenders. Produced by and starring Ruth Roland for FBO Studios, a small operation that later became RKO Pictures, Dollar Down follows Roland as the spendthrift daughter of a manufacturing firm’s general manager (Henry Walthall), who pawns a ring purchased on credit to throw an extravagant party and sends the family’s livelihood into a tailspin. Because its last reel completely disintegrated before it could be copied, the film remains an ultra-rare curio that nonetheless captures an important chapter in Browning’s career before his successful string of films made for MGM.

A 1917 movie serial