Pino Calabrese

On July 19–21, 2001, over 200,000 people took to the streets of Genoa to protest against the ongoing G8 summit. Anti-globalization activists clashed with the police, with 23-year-old protester Carlo Giuliani shot dead after confronting a police vehicle. In the aftermath, the police organized a night raid on the Diaz high school, where around a hundred people between unarmed protesters—mostly students—and independent reporters who documented the police brutality during the protests had took shelter. What happened next was called by Amnesty International "the most serious breach of civil liberties in a democratic Western country since World War II."

Giancarlo, a young Neapolitan animated by a great passion for journalism, is called as a correspondent in Torre Annunziata for the newspaper IL MATTINO. He begins to investigate the underworld and despite the difficulties he doesn't give up. His intuitions take him so far that the clan leader Gionta considers him too uncomfortable a character. The film reconstructs the last days of the life of the Neapolitan journalist Giancarlo Siani, killed by the Camorra in September 1985. It does so with the participation that a friend like Fiume had of Siani and with the courage to face a narrative that is absolutely different from the one of the debut film "Isolde".

A Ukrainian woman named Irena calculatedly insinuates herself into the lives of a young, affluent Italian family. Stopping at nothing to become the couple's trusted maid and the beloved nanny to their fragile young daughter, Irena risks everything in her quest to uncover the truth about the family.

In 1950s Sicily, con artist Joe Moretti does screen tests for the big studios, accepting money or favours for his efforts. A young illiterate novitiate named Beata desperately wants to change her life and falls for him; belatedly, he realizes his feelings for her. However, their love affair is doomed when he's arrested.

Young terrorist Laura shoots both a judge and a comrade, and over time her violent act becomes a thread linking the lives and fates of several other women. Each has her own secret, including the lawyer who listens to Laura as if in a ‘trance’: moments before, she discovered her husband was cheating.

When his destituite widowed sister-in-law—whom he had never stopped harbouring feelings for—and her ne'er-do-well son come to live with him after World War II, a mentally-ill farmer who spends all his time destroying unexploded ordnance scattered across the countryside finds a new purpose in his lonely life.

The last few years in the life of Armida Miserere, female jail director who committed suicide.

In late 19th-century Sicily, the noble Uzeda family—whose lineage dates back to the ancient viceroys that ruled those lands—fights to preserve its waning power in the face of the newly unified Italian regime.

The Right to Happiness centers on a small used book store in a small plaza in a small town with big vistas, somewhere in Italy. It sounds like a book lover's fantasy, and maybe it is. The bookseller, Libero, knows most of his rather eccentric customers and can barely bring himself to take their money (although fascists pay double). When a young boy, Essien (Didie Lorenz Tchumbu), an émigré from Burkina Faso, happens on the shop, Libero begins lending him books of increasing difficulty. From Pinocchio to Moby Dick, Essien can read as fast as Libero can lend, and the two form a bond over reading and meaning. "Books should be read twice," Libero says. "Once to understand them, and once to think." Life should probably be lived like that too, but the bookseller's name means "free," and freedom is what Libero bequeaths to Essien.

When their parents die, Bianca starts to smoke and Tomas is still a virgin. The orphans explore the dangerous streets of adulthood until Bianca finds Maciste, a retired Mr. Universe, and enters his dark mansion in search of a future.

Just the night before his retirement District Attorney Saracini is given a film showing the kidnapping of Aldo Moro. As the District Attorney takes on the case he along with his team finds more compelling and secretive evidences. Too many secrets are found that should stayed as secrets.

1828. After witnessing the brutal repression of revolutions in monarchist South, three young friends join Giuseppe Mazzini's patriotic cause, seeking to finally unify Italy under a republican government. Their idealism will clash with the inevitable disillusionment as they grow apart over the following decades.

Caterina is a girl victim of amnesia, who finds herself in an unknown village without being able to remember how she got there. In reality he doesn't even have any memory of his own identity, so he accepts the collaboration of Tommaso Carta - a local writer - to try to unravel the mystery. At the same time, the two will also be involved in a strange murder case, perhaps connected to Caterina's memory loss.

According to Interpol, over ten thousand refugees of minors without parental care are wandering today in Europe, half of which are on Italian roads. "Despite the Fog" is a movie story about one of them. In short: Ali-Musa Sarhan, a refugee whose parents drowned while traveling by rubber boat on the Italian coast in search of a better life, is accepted by family, husband and wife who have lost a child. They are trying to find solace in little Arab and a sort of replacement for their early deceased son, Mark. Valeria (Donatella Finokjaro) and Paolo (Giorgio Tirabasi) are increasingly confronted with resistance from the environment and their own family, who do not accept their decision to keep Muhammad - It is also a story of a world that is increasingly sinking into xenophobic fog.

News explodes like a bomb! Due to the genetic mutation, immigrants living in Italy undergo a noticeable change. Is this wonderful country in danger of sinking? A television reporter decides to go over this strange theory, and the news is on the agenda of the whole country. This fake documentary brings fake news, media, politics and harsh criticism about Italy.

Francis, a forty year old engineer, after a mysterious disgrace he retired to live in a village on Lake Iseo. With still little daughter occupies the former family villa, a magnificent Art Nouveau building on the lake shore. In the big house there is, however, another mysterious person, of which only perceives the echo of the respirator that keeps her alive. But other presences no less disturbing, and certainly more dangerous, they move around the villa. What happened to the man and his family? What secrets hide? Marta will know, childhood friend always in love with him, awaken Francis from the torpor in which he has fallen, and free him from the pain? And most importantly, how many succeed they gravitate around the house to escape the danger that threatens their lives? Breaths tells how the pain can profoundly transform a man crushed by memories, guilt, fears. He also wants to show the extent to which an individual is able to accept the existence paths without being a victim.

Three episodes. In the first, Aurora lives in a luxurious apartment. Among some workers called to her house, she recognizes an old lover, who returns to courting her, but then empties her house. In the second, a boy released from reform school discovers that his mother is actually his father: a transvestite. In the third, a newsagent, suspecting her husband, who constantly pretends to be ill, is cheating on her, places a video camera in her room. She records his sexual encounters on a videotape that she sells at newsstands. In his directorial debut, Corsicato demonstrates a sharp and poetic talent (he was Almodovar's assistant) in creating three portraits of women that are also portraits of his city, Naples.

Paolo and Carlo are good friends. The first introverted, disillusioned and intellectual, while the other is happy if shallow. Despite their differences they share accommodation. Paolo runs an “alternative” kind of library; Carlo plays the violin in a little band. Their lives go on peacefully, when suddenly Paolo falls in love with one of his a customers - Lili, an amateur actress - whom he decides to take home. Carlo doesn’t react well to the fact he’s got to share with a third person, so he comes up with a weird idea - he flirts with the new girl and manages to seduce her. Paolo thinks his best friend is now guilty of a real betrayal, while Lili is undecided: she’s attracted by both the culture of Paolo and the physical attraction of Carlo. This love triangle ends when Paolo tries to commit suicide, Carlo feels guilty and Lili leaves them both, returning to her previous life and still hoping to find her one true love.

Fighting a modern, fragmented and brutal Mafia, the Sicilian Anti-Mafia Squad seeks to crush the criminal network that holds a death grip on the region. Sophisticated surveillance helps, unless the enemy lies within.

Norma e Felice is an Italian television series.