Maurizio Battista

Ruthless businessman Luciano reconnects with his estranged family from a previous marriage, only to use their youngest son, awkward and starry-eyed Baldo, as the fall guy for his failing endeavor.

Three friends see their end-of-summer motorhome holiday trip hijacked by Viola, a beautiful girl on the run from both the law and the mob after a robbery.

The docufilm tells the story of Paolo Villaggio's genius through the most iconic Italian character, accountant Ugo Fantozzi. The work was featured in the Classics section of the 74th Venice International Film Festival.

Donato, a scoundrel music manager, to escape the two henchmen of a boss who, due to his inefficiency, has caused him to lose a lot of money, taking advantage of a letter from his uncle the bishop, introduces himself to the parish priest of a village church, Don Dino, dressed as a priest, and pretends to have been sent there by the bishop as assistant parish priest. Don Dino's church is always empty. In fact, the town's faithful frequent the new church, run by Don Gabriele, a pimp priest who knows how to deal with people. Donato's arrival initially seems like the final blow for Don Dino's church: Donato doesn't know where to start a mass, he has never confessed or married anyone, the mere idea of ​​performing an extreme unction scares him. Don Dino begins to argue with Donato: he seems anything but a priest. But little by little, Don Donato's extravagant ways, his open-mindedness as a "sinner", his mentality as a rock priest, begin to attract the faithful.

The life of a working-class boy in Rome through the '70s and '80s, choosing his own path with his friends and family.

Middle-aged family man Arnaldo is kicked out by his wife because of a misunderstanding. Instead of despairing, Arnaldo takes advantage of the situation to turn around his unsatisfying adult life by going to live in a flat shared with four university students.