Pavel Koutský

The composer's work, in black and white, disturbed by an elephant... and the melody, creating colours and unusual, fanciful shapes. In 1984, Pavel Koutsky worked on this film called Laterna musica inspired by Houslovy koncert (Paganini concert).

The film consists of five parts - a live-action framing story and four distinct animated episodes - each by a different creative team and in a different animation style, from Pojar and Koutský’s semi-plastic “Princess Who Never Smiled,” through Žabka’s puppet fable “The Fairy and the Bookkeeper,” Dlouhá and Váša’s paper-cut “Fisherman, His Wife, and the Golden Fish,” to Pixa’s near-future parable “Mr. Vincent”.

Little Rehor isn't allowed to play with the other boys. His only friend is the girl next door, Luci. Rehor's father is doctor on a boat and he has sent Rehor a package with butterfly larvae. When they hatch he discover a fairy who can do magic tricks.

An animated film compiled by David Ehrlich consisting of 27 animators from different countries all explaining themselves through their animation.

What if the events in a key era in our history were actually completely different than what our history textbooks try to tell us? What if Master Jan Hus didn't even get warm in Constance, let alone burn up? What if Jan Zizka had more than one healthy eye? This animated comedy from director Pavel Koutský playfully breaks the myths about the Hussite era as the pedestal of history is occupied not by preachers and military leaders but by two unbelievable scatterbrains, who become the heroes of their time against their will.

The sequel to the successful film Fimfárum by Jan Werich. Four brand new stories “for clever children and clever adults” from the popular book written by Jan Werich. Břetislav Pojar introduces the story of little Tom Thumb full of twists and adventure. Aurel Klimt brings to life three brothers, The Hunchbacks of Damascus, re-creating the atmosphere of the Middle East and variety of the oriental storytelling. Vlasta Pospíšilová’s Three Sisters and One Ring shows a rural Decameron-like manual on how to enchant one’s loved ones with a mere ring and Jan Balej lets his characters Marek and Kouba re-live an ancient fairy-tale about greed, devils and natural phenomena in his The Sea, Uncle, Why is it Salty?

The story begins in 1984 in Prague, Czechoslovakia, few years before the end of Communist era. The band Pražský výběr (Prague's selection) has just received the news thier 5-year ban has expired and they are alowed to perform once again. This half fantasy half document about the band would draw the atmosphere of middle european late Communist era and the eufory of it's end.

The last hundred years of Marxism, as seen through the eyes of animator Pavel Koutský.