Asiel Norton

A dejected man living in Los Angeles limps through a prolonged break-up and the distractions in the aftermath. Brian Follmer directs “Dys-Sympathetic,” a satirical featurette poking at casual sex, casual romance, and the emotional deterioration of it all. Tyler waits for his ex-girlfriend, Zoe, at a bar. We listen to his train-of-thought in the form of narration. He thinks about all the fake food he’s recently eaten and considers what he'll say about himself on his new Tinder profile. After hooking up once again, Tyler and Zoe try returning to “no-contact.” As Tyler begins a numbing, sex-induced bender, Zoe comes by his apartment, wanting more and sharing the news that she’s pregnant. Tyler acquires abortion pills, and the two experience it together at his place.

In a desolate, future world, after civilization has collapsed, a wanderer fights to save a virgin mother from a powerful magician and, with her, searches for a mythical city containing the world's last survivors.

Travis's tight social group of friends and lovers splits apart when his childhood friend, O'Brien becomes severely mentally ill. Now alone, the characters go their separate ways: Travis helps crowd-fund a socialist revolution in Mexico, O'Brien succumbs to mania and becomes a satirical Youtube celebrity, Kate seeks stability in online dating, and Lox embarks on his first indie rock tour. Their lives continue to cross paths and reconnect through the internet.

As a family struggles to survive in rural isolation during the Great Depression, their daughter's secret affair begins a journey into the unknown.