Marie-Claude Treilhou

Rosa la rose, fille publique

A radiant young sex worker thrives amidst the clients of Paris’s Les Halles under the protectiveness of her pimp. Her carefully balanced existence unravels when she meets a working‑class man and falls in love, forcing her to confront the emotional and social consequences of pursuing a different path.

Un petit cas de conscience

Two lesbians are victims of a break-in. Together with their clan of friends, they undertake a wild investigation, with suspense and rigour, to arrive at the truth. Sensitivities are aroused around life choices, and political choices. Questions of morality comically embellished with words of abuse falling into drunkenness.

Bons baisers du Jurassique

Archipelago of Love

Nine short films about love.

Bonjour au revoir

It's back-to-school time, and three-year-old Oona really, really doesn't want to go to school.

The Donkey Who Drank the Moon

In a small village in the Corbieres, a grandfather tells his grandson five tales from his repertoire. The first one follows three young people who went to Paris to learn French. "Le Maire de Quillan" tells how a pig became mayor of the village. "Le Moine change en ane" is a story with four characters where the monk and the donkey become one. "The Donkey who drank the moon" is a facetious story that embroiders on misunderstandings. The last one is a tale in formation.

Qui êtes-vous Paul Vecchiali?

A documentary about the French film director Paul Vecchiali.

Drugstore Romance

Pierrot, mechanic in Paris, falls madly for a female chemist his senior—who at first refuses him, only accepting love after being diagnosed with a deadly illness.

Simone Barbès or Virtue

Simone, a leather-clad porn theater worker, spends her shifts bantering with her coworker and observing eccentric customers in the cinema’s lobby. Tonight, she clocks out and heads off to meet her girlfriend, a waitress at a lesbian club. Later, she’ll encounter a lonely man on the prowl.

Lourdes l'hiver

La Machine

Pierre Lentier murders an 8-year-old in horrendous circumstances. This 30-something solitary factory worker who lives on the edge of society is sentenced to death. A damning indictment of the death penalty and the manipulative behaviour of the media.

Epiphany Sunday

Three old sisters get together every Sunday. For Epiphany Sunday, the program is busy: eating at the Chinese restaurant, drawing the kings and finally going to see, reluctantly, the show of the fourth sister, the extravagant one, the scandalous one, who is part of a comic troupe of the third age...

Les métamorphoses du chœur

An amateur choir in the 13th arrondissement in Paris. Once a week, 30 children, 20 teenagers and 50 adults meet to rehearse and sing together under the direction of Claire Marchand, choir director. There are moments of joy, discouragement, shared pleasure and music. From the first auditions to the final concert, the film listens and watches this community at work.

Une sale histoire de sardines

Marcel is his garage's handyman. With the smell of grease and petrol wafting through the air, alternating between night watchman, petrol pump attendant and confidant, he is visited every evening by the slightly lost night owls who pass by. They all confide in him about their daily troubles.

Complet 6 pièces

"Complet 6 pièces" takes place in Paris in some couture workshops. It is a film made up of sketches, where by six times, working situations slip.

Comme si, comme ça

What should we do today with poems from the past ? Why do poetry today and how ? Sitting behind his desk, Michel Deguy, great living poet, speaks, smokes and thinks with the same generous enthusiasm. Marie-Claude Treilhou records the thinking words, articulates their development through a series of readings or sung recitations of the poems dissected by their author. Fathoming the depths of “ecopoeticology” of Deguy, Comme si, comme ça makes up the most sober and vivid of portraits. “Without ever bragging”, as suggested by the contemporary ethics the poet formulates in the film.

Couleurs d'orchestre

Ad documentary directed by Marie-Claude Treilhou.