Elmer Booth

A man recognizes the thief who had previously robbed him as one of the men involved in an unrelated mob shootout.

The two brothers and their adopted daughter of the household grew up from childhood together. The girl and the younger brother were childhood sweethearts. His elder brother was considered the bad man and dead shot of the hills. The younger brother has been living in the valley for a long time and returns home to his family. He is now refined, educated, and, of course, a revelation to the little girl, who, though betrothed to the elder brother, is strongly attracted by him. Hence there is a renewal of childhood affection which the elder brother does not take kindly to.

It's love at first sight for the Boy, but obstacles— namely shyness, and the temerity of other suitors— place themselves in the way of his love. Unknowingly, the Boy and the young woman of his fancy both stay at the home of mutual friends— But all is not well, as robbers lurk outside the house.

The orphan Dora is courted by two different gold miners.

A widower and his two daughters live in the wilds of the north woods. They form the acquaintance of two trappers, Bob Cole and Jim Watson, who hunt in the neighborhood. As fate will have it, both trappers love the same girl, the elder sister, but she loves Bob, while the younger girl is attracted by Jim. The elder girl, however, through a woman's whim, pays marked attention to Jim simply to arouse jealousy in Bob. He, in temper, cannot reason her motive and leaves, so through pique she accepts and marries Jim. Later Bob revisits the place, feeling that the girl loves him best, and tries to induce her to go away with him. He finally succeeds and, as you may imagine, fate brings about justice.

An elderly carpenter is told by a doctor that his wife is seriously ill. Soon afterwards, an insensitive shop foreman lays him off from his job because of his age. Unable to find work, and with his wife's condition getting worse, he soon becomes desperate.

Calumny is one of the most despicable crimes against our neighbor, and while the wife in this story acted conventionally, she nevertheless maligned the other woman simply because of her profession, an actress. While out on a shopping tour, the wife and her husband enter a store, leaving their little child in the auto in the care of the chauffeur. This gentleman pays but scant attention to the child, so the little one wanders off and strolls into the stage door of a theater during the matinee. The parents upon their return to the auto discover the child's absence and trace him to the theater stage, where they find him in the arms of one of the show girls. The mother matches the child from the girl's arms, scornfully exclaiming, "How dare you contaminate my child with your touch?" For this remark, together with the derisive laughter it occasions, the girl vows to be avenged.

In the span of five years, pioneering director D.W. Griffith delivered some 450 films for the Biograph Company at a rate of two or three films per week. One and two reels in length, these works showed the filmmaker inventing, borrowing, and perfecting techniques he later used to memorable effect in "The Birth of a Nation," "Intolerance," "Way Down East" and "Orphans of the Storm." Including Lillian and Dorothy Gish, Mary Pickford, Mack Sennett, Lionel Barrymore, Henry Walthall, and Mae Marsh. Among the 22 titles included on this landmark release are such widely recognized masterworks as "The Musketeers of Pig Alley," "The Battle at Elderbush Gulch," "The New York Hat," and "A Corner in Wheat."