Kuswadinata

Ten people gather in an old mansion to find out who will inherit the money ($10 million) left by a recently deceased tycoon.

Raja Bersiong, the Fanged King, is a cannibal monarch in the Kedah epic literature Hikayat Merong Mahawangsa (HMM). A king with an intense appetite for human blood that over time he grew fangs and began attacking his own people to feast on them.

A village comes alive with fear when a nefarious ‘oily man’ terrorises women in the dead of night. At their wits end, the local police enlist the help of talented police inspector Dasuki to trap and end the oily man’s mischief. Orang Minyak was digitally restored by the Asian Film Archive in 2018 using a 16mm black & white composite release print from its collection.

The story of a princess who was sworn into the black since childhood. He is destined to marry a prince and lived in the palace. But disliked by her mother in law

ASP Razlan, Inspector Farah, Detective Inspector Razif and Sally, a member of the Task Force Unit Royal Malaysia Police led by Superintendent Mansor, was given the task to beat a drug syndicates and international gun smuggling. Masta a widower apply Farah Farah for the happiness of their children but not the final say. Farah also having problems with her sister Ella, a rock singer who led his brother out of the house and stayed with Eddie children tycoon. Farah and Razlan relationship more closely. They plan to marry as soon as the cases handled completed. They both were subjected to unexpected accidents that occurred before Razlan and Farah married

The Arsonist involves the struggles of an undocumented immigrant family and a boy's coming-of-age. The son Kesuma must forge his own identity against the intimidating presence of his father Kakang, a man proud of his Javanese heritage and well aware of the social inequalities that allow his exploitation. Kakang counteracts by torching the property of those who slight him, leaving Kesuma simultaneously proud, fearful and ashamed. A clash of wills is all but inevitable. The film climaxes in a poignant conflagration, literal and metaphorical.

Omar Rojik’s ‘Batu Durhaka’ tells the story of Wira and his ultimate fate of committing disloyalty and sin towards his mother and family. His nemesis is Perkasa, a vicious and lustful tyrant in the village community who has kidnapped his younger sister Indah. The kidnap was witnessed by Wira’s handicapped brother Mala, who could do nothing other than watch and be rapped by Perkasa’s followers. When Wira confronts Perkasa, he is defeated and put away on a boat to nowhere. After drifting afloat for a long distance, he is rescued by Mahaguru Bentara who brings him to a cave to recuperate. Under the tutelage of the Mahaguru, who is a martial arts exponent, Wira becomes one of his leading disciples and falls in love with his daughter Desawati. He betrays Desawati's love and their consummation when he decides to return to his village, to seek vengeance against Perkasa.

This is a classic film about a women masquerade as Panji Semerang a jawa warrior for taken back her father kingdom that been capture by evil.