Hynek Němec

It is the 1930s. Physician Bartos devotedly attends poor patients in the city suburbs, at the same time researching the possibilities of regeneration of human tissues after transplantation. His former colleague Rosen, now working as an assistant at the private clinic of surgeon Kirchenbruch, considers the research a mere utopia. The disappointed Bartos, trying to verify his theories, therefore accepts the outrageous proposal of Marion, owner of a brothel - to surgically replace the face of her lover, the wanted thief Cutter, with the face of murdered Father Hopsasa. Bartos is well paid but his successful operation remains a secret.

A ballad story from the life of the inhabitants of the Moravian Beskydy Mountains. The heroine is a young woman, Františka Plesníková. Františka's lover was killed by a falling tree before he could marry her, and the girl faced the bitter fate of a "roll" of illegitimate mother. Františka fought with all her might for a better life for her son Metúdek. For his sake, she eventually married an old widower farmer, Podešva. However, she soon realized that her marriage had not benefited either herself or her child.

Matylda, who lives in the Czech countryside, is trying to arrange burial plans for her dying husband, Jan. While Matylda hopes to have a funeral for Jan in the small town where they once lived, there are complications. Years earlier, Jan spoke out against the Communist government and was consequently expelled from the town. When Matylda fails to convince a local politician to allow the ceremony, she uses her husband's funeral as a public show of dissent.

The second part of the revolutionary Hussite trilogy takes place in the years 1419-1420.

Josef Lachman, once a security officer, serves twelve years for aiding an SS fugitive’s escape. Upon release, he works as a driver on a dam project, hunting buried English pounds Meyer told him about. With miner Rokos’s help, he retrieves the cash and hides it with his daughter Eva, but she spends some at Tuzex, Rokos blackmails him, and they discover the notes are WWII forgeries.

Two families live in a weaver's cottage - the Menecs and the Hroms. The women are pretty from the start. Musicians come, inviting fellow weavers who play in Menec's band to the May Day festival. Wanderers wander through the region, encountering a procession on their way. The police disperse it, so the men, who have various professions, join the wanderers. They wander around the world until they reach a tavern, where they get food and a bed. An old spinning wheeler composes a song at the request of one wanderer, inviting everyone to a "wanderer's convention". And so they get together and play together...

The Emperor's mismanagement of his country is provoking some in his court to plot to overthrow him. He feels successful, at least, when he discovers the legendary Golem, which he believes can protect him and even cure his imaginary illnesses but, when he disappears while on a bender, his kindly baker, who looks just like him, is mistaken for him, and begins to put things in order. However, the conspirators, not to be outdone, determine to bring the Golem back to life to do their bidding.

The leader of the emerging organized labor movement in the 1880s, Ladislav Zápotocký-Budečský, is exiled to his native village, where he works as a tailor and continues to raise social awareness among members of the working class.

Baker Jan Racek (Vladimír Repa) is a very hard-working and sensible man. His great passion is pigeon-keeping and also, for many years, Ruzenka (Ludmila Vostrcilová). They are going to get married but Racek is busy waiting for the pigeons' return and misses the wedding. The engaged couple is already getting a little older so the otherwise kind Ruzenka gets very angry at this and gives Racek an ultimatum - it's going to be her or the pigeons.

Major Kalas from the Prague criminal intelligence service has been sent to a small town of Dubá in North Bohemia to help with the investigation of the puzzling death of a child. A gypsy boy has been killed three weeks ago and his body found under a rock. As the investigation continues, another dead boy is found. The boy has bled to death after someone cut his artery with a handsaw. Both deaths are obviously the work of a murderer - a perverted pedophile, sadist who gets sexual satisfaction from the sight of a young boy's blood.

The first part of the "Hussite Revolutionary Trilogy", completed with Jan Žižka (1955) and Proti všem (Against All Odds, 1957). The film captures the period from May 1412 to the summer of 1415, a turbulent time in the Czech Kingdom, during which there were protests in Prague against the sale of "omnipotent indulgences" whose sale throughout the kingdom was announced by Pope John XXIII. The ideological leader of this movement is the preacher Master Jan Hus, whose words, calling for the elimination of church abuses, are listened to in the Bethlehem Chapel by thousands of ordinary Praguers, Czech lords and Queen Sophie, wife of the Czech King Wenceslas IV.

Working in the city office is a bitter clerk who believes he has only 14 days to live and so he bravely stands up to his bureaucratic director.

Cooperative members are harvesting crops, trying to get new water piping installed and preparing to plough away the field boundaries in autumn. Local kulak Voznica (Vladimír Repa) doesn't like any of this so he forces sexton Kodýtek (Vlasta Burian) to help him sabotage their efforts.

A group of saboteurs search for a weapons cache hidden by the Nazi army. Beskydy in the summer of 1950: the StB agent Borek infiltrates a group of saboteurs hidden in the Beskydy mountains. They are preparing terrorist actions against the ongoing collectivisation in the village. The group is led by Ervín Kopal and Metud Hanák. Borek is to make contact with them, secure the saboteurs and discover a weapons depot. After many dramatic events, the task is accomplished, but at the highest cost...

As a young actor František Lukávec and his teacher Vladimir Tuma became enemies. František insisted that Tuma was dismissed from the school as a reactionary and hostile to the new government. Many years passed, and here they met again on the stage of a theater. František is assigned the role of Julius Fucik, Tuma plays the role of a Gestapo man in the same play. In the course of the action, the Gestapo man beats Fucik. Taking advantage of this opportunity, Tuma beats up his old enemy during the dress rehearsal. Frantisek's face is bleeding, but he will still play. The rehearsal continues...

A biographical film about the famous Czech painter Mikoláš Aleš, portrayed as part of the vanguard of the working class and a spokesman for the oppressed, who asserts himself despite the opposing bourgeoisie and reactionaries of all kinds. The film focuses on the period when Mikoláš Aleš participated in the competition to decorate the National Theatre.

The unfortunate 1930s also befell the student Standa Půlpán. For existential reasons, he had to abandon his studies and entered the mines. However, he only slowly and with difficulty became close to the older miners, rough men who were closed in on themselves. Only his brave stand in rescuing people who were trapped in a mining accident will win him the solidarity of the entire mining collective. Even Karel Čapek's draft once lent itself to promoting an exacerbated class interpretation of social relations.

An anthology of three absurd, ironic tales inspired by Čapek’s “Tales from One Pocket” and “Fables and Side Stories,” each showing uncanny forces disrupting ordinary lives: in Krejčík’s “Glorie,” a gentle clerk is haunted by a sudden halo; the other two segments by Mach and Makovec similarly blend everyday routines with ironic, supernatural twists.

The movie describes proletarian life in the Czech Lands after World War I.

A biographical film about a Czech mechanic and designer who was the first in the Czech lands to construct a steam car.

The film, in individual episodes, captures the fate of Bedřich Smetana from 1856 until the end of his life, from his young years until the moment when, exhausted by human and artistic hardship, he sees the fulfillment of his great dream, the opening of the National Theatre.

The happenings in a shoe factory serve as a not very thinly veiled examination of the pros and cons of both socialism and democracy.

Worker Šebesta does not rejoice with the others in the May Day parade, as his boots are weighing him down. The following working day does not bring him a good mood either. At a plant-wide meeting, he comes into conflict with the young striker Brejcha from the United Engineering Works. He demands an increase in the production of heating elements so that the new hall can be completed before the deadline. The workers react to his passionate speech about the improvement efforts with distrust and, with a bit of mockery, challenge him to prove his words with action in their plant...

The year is 1918. Toník returns home from the front. In Kladno, where he arrives, things are seething with discontent. The Social Democrats are in government, but nothing has changed. Socialization has not been implemented, there is hunger and food is still being skimped on. The first news about a socialist state arrives from Russia. On May 1st, the workers' Kladno manifests its loyalty to the ideals of the Great October Socialist Revolution. In December 1920, a general strike is declared in Kladno as well. The workers arm themselves, workers' councils take over the administration of the city and are also established in the surrounding villages. An armed uprising is being prepared. However, the right-wing leadership of the Social Democratic Party attacks the workers in the back. The army is sent to Kladno...