Dollah Sarawak

A village comes alive with fear when a nefarious ‘oily man’ terrorises women in the dead of night. At their wits end, the local police enlist the help of talented police inspector Dasuki to trap and end the oily man’s mischief. Orang Minyak was digitally restored by the Asian Film Archive in 2018 using a 16mm black & white composite release print from its collection.

Sang Kurnia was abandoned at birth, born destined to live a damned life

A young merchant learns the art of transforming himself into a tiger, on condition of him adhering to some rules. Using his skills, he takes revenge on those who had tortured and attempted to harm him. However, as he breaks the rules he had promised to observe, he pays the ultimate price.

Mat has always dreamt of becoming a secret agent since he was young. After accidentally finding and consuming an elixir that grants indestructibility, he gets his wish when he is hired to retrieve a briefcase that contains these elixir pills. With a motley crew on his tail, Mat realises that leading a spy’s life like James Bond is harder than he imagined.

For selfish and petty gains, the village head enlists the help of the medicine man to conjure a toyol (child spirit) for him to own. However, the medicine man constantly fails in his concoctions. They hear rumours of Mat possessing the ability to conjure toyols and decide to take advantage of him, recruiting Mat as the medicine man’s assistant to do the hard work. Meanwhile, the medicine man’s wife who is frustrated with her husband’s failures, leaves home to reclaim a dark heritage of her own. As Mat seeks the secret ingredient for the concoction, he experiences hysterical encounters with the world of black magic, witches, talking animals and dancing skeletons.

Manis and her fisherman father receive a guest named Suleiman at their humble kampung house. He is well-liked by them both and becomes a frequent visitor who helps out with the daily chores. Unbeknownst to Manis, the young man is in fact a prince-in-disguise. So a romance between a royal and a commoner blossoms, as the couple exchange teasing pantuns at the next opportunity - while gathering wood, or while tidying up the rumah ibu. All is bliss when Manis agrees to marry Suleiman in secret even after finding out his true identity. Separation of the loving pair beckons when the prince receives news from the palace and returns to his ailing father, who at his death bed agrees to a royal intermarriage between his son and a princess from a neighbouring monarchy. A family reconciliation and cursed tragedy ensue.

Filem about Kamil a son of a rich man. His father didn't like him to be fooling around girl especially low status girl. One day a kid appear at a park and pointed kamil as his father.

Badang is a very extraordinary person who is very strong and does many miraculous things with his strength after he has eaten the vomit of the water ghost who at first wanted to kill him. Eventhough he is strong there are certain things that he cant do due to the promise he has made with the water ghost. He can’t marry because he will end a dreadful death. Badan’s strength was known by the Sultan where he was appointed as a warrior of the Sultan. Apart from that he has also won many strength competitions across the country. While in all this fame he has fallen for a girl who has also fallen for him. But due to his promise to the water ghost he cant. So, who does he choose his powerful strength or his true love?

Karim (Abdullah Chik) and Khatijah (Rose Yatimah) are undergraduates at the University of Malaya pursuing degrees in Medicine and History respectively. They are young, progressive in their thinking, and very much in love with each other. On a visit back home, Khatijah discovers that she is arranged to be married, without her knowledge, to the local village 'lebai' (healer), Din, who is a recent widower and father of six. Khatijah is torn between her fledging love for Karim and her adherence to centuries of tradition. Determined to win the hand of Khatijah, Karim sets aside his prejudiced view of the "mystical arts" and travels deep into the wilderness of Malaysia to study under a respected traditional healer, Pak Salleh (Dollah Sarawak).

Mat is contented working as a rag-and-bone man. He is offered a paper bag that he thinks is just filled with shards of glass. It turns out to contain jewels worth millions of dollars that he unknowingly gives away to his friend Hamid. The owner sends his henchmen on a wild goose chase to hunt down the bag. This bewilders Mat as he is forced to be on the run. He puts on various disguises and encounters a slew of obstacles and colourful characters along the way.

A period drama with Malay symbolisms, myth and folklore, the title Chuchu Datok Merah points to the mental image Malays have of themselves as descendants of Hang Tuah, the legendary Malay warrior of Malacca. Awang Janggut is very much a pseudo-warrior. Instead of a “keris”, a warrior’s weapon, he owns a prize-winning rooster. His battlefield is the cock fight arena. Home is a big but empty house inherited from his ancestor, and prefers living in poverty to working. The closest he comes to the high life of a warrior is when a rich businessman employs him as a bodyguard after he prevents hooligans from taunting the latter’s daughter Siti. Despite knowing Awang is married, Siti continues to flirt with him, causing him to leave his pregnant wife alone. She eventually falls sick and has a miscarriage. The film is a social criticism of people who rest on their laurels and ancestry instead of working for themselves. It is also one of the finest examples of the anti-hero in Malay cinema.

Che Mamat is always unfortunate. Most of the things that he does goes wrong which makes him wasting most of his time telling stories to kids. Due to his lover pressure he agrees to enter a short story competition. His winning over this competition changed his lifestyle very drastically when he was being offered a position as a reporter at a national newspaper.

1957 Vampire/ghost horror/drama from Malaysia

When the treasure map that became a bone of contention has fallen into the hands of a famous comedian, various funny action applies. Rasa Sayang Eh is a Malay film published in Malaysia in 1959. The film Rasa Sayang Eh published in the form of color film. Rasa Sayang Eh film first aired in 1959 in the cinema across the country. Displaying Wahid Satay, Dollah Sarawak, Kasma Booty, Salmah Ahmad, M. Amin, Yem and crowded again.