Pierre Gendron

Unusually elaborate for a PRC film, Minstrel Man is a lively musical drama built around the talents of veteran vaudevillian Benny Fields. The star is cast as Dixie Boy Johnson, who rises from the ranks of minstrel shows to become a top Broadway attraction. On the opening night of his greatest stage triumph, Dixie Boy's wife dies in childbirth. Profoundly shaken, he walks out of the show, leaving the baby to be raised by his showbiz pals Mae and Lasses White (Gladys George, Roscoe Karns). The kid grows up to be an attractive young woman named Caroline (Judy Clark), who follows in her dad's footsteps by billing herself as-that's right-Dixie Girl Johnson. This leads to a tearful reunion between Caroline and the father she'd long assumed to be dead. If Minstrel Man seems at times to be a dress rehearsal for Columbia's The Jolson Story (1946), it shouldn't surprising: the PRC film was directed by Joseph H. Lewis, who went on to helm Jolson Story's musical highlights.

Young female models are being strangled. Will law enforcement be able to stop the crime wave before more women become victims?

Leo, a former convict, is living in seclusion on an island with his step-daughter, the daughter of his late wife. Leo was framed by a group of former business associates, and he also suspects that one of them killed his wife. He has invited the group to his island, tempting them by hinting about a hidden fortune, and he has installed a number of traps and secret passages in his home. He is aided in his efforts by a former cell-mate who holds a grudge against the same persons. When everyone arrives, the atmosphere of mutual suspicion and the thick fog that covers the island promise a tense and hazardous weekend for everyone.

Mad scientist injects his enemies with acromegaly virus, causing them to become hideously deformed.

A frivolous middle aged socialite is suddenly put upon to have her daughter live with her. Her conniving paramour dumps her for the daughter, leaving the young boyfriend crushed.

The Lover of Camille was a 1924 American silent romantic drama film directed by Harry Beaumont, and starring Monte Blue. The film was based on the French novel Deburau by Sacha Guitry, which was also adapted into a Broadway play by Harley Granville-Barker.

Mother O'day, running her saloon after the death of her husband, places her daughter in the care of Mrs. Kendall, a high society woman. Later, in the prohibition era, Molly returns to the saloon-turned-cabaret as a flapper with her co-star Mark Roth. Considered a lost film.

Wholesome country girl Mary works at the House of Magic beauty salon and pines for the owner Clay. Unfortunately Clay has also been targeted by experienced vamp Rita.